Canon EOS C200 EF with C-NE 18-80mm T4.4 Lens Kit - 2215C023

£7,800.00 £6,500.00
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SKU
2215C023

Canon EOS C200 EF Cinema Camcorder and CN-E 18-80mm T4.4 L IS KAS S 4K Compact Cine-Servo Cinema EOS Lens Kit

Canon EOS C200 EF with C-NE 18-80mm T4.4 Lens Kit - 2215C023

Easily shoot and record UHD/50P footage to internal SD cards in MP4 format and use Cinema RAW Light to film moments in stunning 4K to internal CFast 2.0™ card. Explore your creativity in Full HD with high frame rates up to 120P. 

 

FEATURES

  • Internal 4k 50p recording with Cinema RAW Light and MP4
  • XF-AVC video format will be available as a future firmware upgrade in 2018
  • Continuous 120 fps (maximum) High Frame Rate with no cropping at Full HD
  • Up to 15-stops dynamic range shooting with Cinema RAW Lite
  • New dual DIGIC 6 Processors
  • Dual Pixel CMOS AF with touch control and extensive shooting functions
  • New 4” Touch Panel with touch AF capability
  • Single CFast 2.0 and dual SD card slots
 

Benefit Bullets 

  • Professional UHD/50P camera with internal SD card recording and High Frame Rate option
  • Internal 4K RAW recording to CFast 2.0™ card
  • Professional High Quality image and audio
  • Dual Pixel CMOS AF and extensive shooting functions
  • Easy operation and flexible configuration

 

The New EOS C200, is the latest addition to the Cinema EOS range.  With newly developed Canon Dual DIGIC DV6 processors, the C200 provides the ability to record internally 4k UHD 50p MP4, 4k DCI Raw and continuous 120 fps High Frame Rate in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.

The C200 will be sold either as body only or with a 24-105mm f/4L IS USM Kit. Furthermore, Canon are also launching a new single unit CG-A20 charger and the CL-V2 Clamp base.

SPECIFICATIONS

Camera
Image Sensor
Sensor Super 35mm type CMOS
System RGB primary colour filter (Beyer array)
Total pixels per sensor Approx. 9.84 megapixels (4206 x 2340)
Effective pixels per sensor "Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution"
Signal-to Noise ration "50.00 Hz mode: 53 dB (Typical)
[3840x2160/25.00P, Canon Log 3 Base sensitivity ISO800 (Dynamic range
1600%),HDMI OUT]"
Dynamic Range 13 Stops (Canon Log3)
Image Processor
Type Dual DIGIC DV6
Lens
Lens Mount Canon EF Mount
Lens Magnification Factor (for EF Mount lenses, including Cinema Primes) "At 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.460
At 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534"
Changeable Lens Mount Yes, mount change to PL mount possible via Canon Service centre (Paid for service)
Peripheral illumination correction Yes with compatible lenses
ND filter Clear,2,4,6,8,10-stop
Focus control "Manual via lens, manual via RC-V100 Auto Focus (Dual Pixel AF Approximately 80%(vert.),80%(horiz.))"
Iris control Manual Via camera body or RC-V100, fine, 1/2 or 1/3 step increments, Auto (with compatible lenses), Push Auto Iris
Image stabilization system Depends on lens used
Recording
RAW Recording options RAW (Cinema RAW Light)
Internal Recording Cinema RAW Light, MP4
Recording time (CFast 2.0™card) 128GB card 15 Mins (4K Cinema RAW Light 1Gbps VBR)
Recording time (SD Card) 128GB card 110 mins (MP4, 150Mbps) 485Mins (MP4, 35Mbps)
Recording Formats Cinema RAW Light, (CFast 2.0™) MP4 XF-AVC (SD card. XF-AVC1)
Recording Frame Rate (1) 59.94 Hz mode (59.94P/29.97P/23.98P)
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)
Slow/Fast motion YES
Interval Record YES
Frame Record YES
Pre Record (cache record) YES, 3 seconds
Relay Recording YES, SD Card recording only
Double Slot (simultaneous) Recording YES, SD Card recording only
Scan Reverse NO
HD->SD conversion NO
Photo storage media SD Card
Photo Recording Size 2048x1080 (when video image resolution is 4096x2160/2048x1080)
3840x2160 (when video image resolution is 3840x2160)
1920x1080 (when video image resolution is 1920x1080)
System
Wave Form Monitor YES
Colour Bars YES, SMPTE / EBU / ARIB
Peaking YES
Zebra YES. Zebra 1 Level 5 ±5% to 95 ±5% in 5 percentage point intervals (70 ±5%)
Zebra 2 Level: 0% to 100% in 5 percentage point intervals (100%)
Markers YES, Centre, Horizontal, Grid Aspect Ratio(4:3 / 13:9 / 14:9 / 16:9 / 1.375:1 / 1.66:1 / 1.75:1/1.85:1 / 1.90:1 / 2.35:1 / 2.39:1 / Custom), Safe Area (80% / 90% / 92.5% / 95%)
EVF
Built- In EVF YES. 1.77M dots
Optional EVF Accessory Canon EVF-V70 (Also requires CL-V2 bracket)
Display Panel
Display Panel 4 inch/10.1cm diagonal LCD Monitor. Touch panel. Approx., 1.23M dots
Inputs/Outputs
Audio in XLR x2, 3.5mm Audio, AES/EBU digital or Analog Audio input, Line, Mic, +48V Phantom Power supported
Headphone output YES
HDMI YES, HDMI 2.0, output only. Max. output resolution 3840 x 2160.Timecode out compatible
USB YES. Mini-B Hi-Speed USB
3G/HD-SDI output YES x 1.BNC jack
Video [HD]:SMPTE 292. [3G]:SMPTE 424, SMPTE 425
Audio [HD]:SMPTE ST 299-1. [3G]:SMPTE ST 299-2, Output impedance 75 Ω, Output signal level 0.8 Vp-p
Time code NO
Genlock NO
Synch NO
Component out NO
AV terminal NO
DC Output NO
DC input YES, 14.4V DC (Battery), 16.7V DC (DC-In)
Power Consumption 50.00P: Cinema RAW Light/MP4; 18.5W (Approx.)
Continuous Recording Time (battery) BP-A30 (3100mAh) 130 Min (Approx.) BP-A60 (6200mAh) 280 Mins (Approx.)
Cinema Raw Light/4096 x 2160 or MP4/3840 x 2160 recording
Remote Control Terminal YES, 2.5mm proprietary connector
Wireless Control Terminal Built-in Wi-Fi. FTP and Browser Remote/Preview
Lens terminal NO
Ethernet terminal YES. FTP CAPABLE, MP4 files only
Video connector (For Monitor or EVF) YES, Canon proprietary connection
Misc.
Tally lamp YES
Custom Dial YES
Shooting functions
Exposure
Exposure metering (a) Standard (centre-weighted metering)
(b) Spotlight
(c) Backlight (compensation)
Exposure compensation AE shift function . The target value (±8 steps from centre) for the
brightness can be set. Indicated as exposure values (EV). (±2.0, ±1.75,
±1.5, ±1.25, ±1.0, ±0.75, ±0.5, ±0.25, and ±0) are displayed on the screen as AE
[numerical values]
Push Auto Iris YES
Exposure Lock NO
Auto Gain Control setting NO
ISO Sensitivity 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400]
[---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000, 40000, 51200, 64000, 80000, 102400] [---] When ISO speed expansion is ON.
Gain setting [-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,
30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB]
[---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
When ISO speed expansion is ON: between -2 dB and 54 dB
When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB
increments can be set.
Auto Focus System Dual Pixel CMOS AF supported
Manual focus, one-shot AF, continuous AF, AF-Boosted MF,
face detection AF (only lenses that support AF functions can be used
in any of these modes), focus guide
AF Frame Sizes Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display
range; Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range
Auto Focus Modes One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these
modes take effect when the AF/MF switch of the EF lens is at the AF setting.
One-Shot AF: AF is performed only while the one-shot button to which it has been assigned is held
down. No further lens movement is permitted after focusing.
Continuous AF: AF control is performed at all times.
AF-Boosted MF
Face Detection AF Available; face Priority or Face Only.
Face Priority: AF is set to face frame when a face is detected, to tracking frame when tracking, and AF frame when there is no face or tracking.
Face Only: Switches to face frame when a face is detected, to tracking frame when
tracking, and MF when there is no face or tracking.
In both Face Priority and Face Only, the face to detect can be selected with the joystick.
Focus Guide Available; displays focus status or unfocused status using the AF signal.
Shutter speed
Control Modes Manual only
Shutter speed 1/3 stop display: 1/1, 1/1.26, 1/1.59, ---, 1/1600, 1/2000 (total of 34 settings)
1/4 stop display: 1/1, 1/1.19, 1/1.41, 1.68 ---, 1/1700, 1/2000 (total of 45 settings).
The slowest speed will differ depending on the frame rate setting.
Shutter Angle 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25
Also, angle values equivalent to 1/120, 1/60, 1/40, 1/30, 1/100, 1/50, 3/100, and 1/25
are selectable within the minimum angle range from 360°.
Slow Shutter (SLS) 59.94(i/P) : 1/4, 1/8, 1/15, 1/30
29.97P frame rate has been set: 1/4, 1/8, 1/15
24.00P or 23.98P: 1/3, 1/6, 1/12
Clear Scan -
Custom Picture
Stored Configurations PRESET: Canon Log 3/Canon Log /BT.709/Off
GAMMA: Canon Log 3/Canon Log/Wide DR/Normal 1 (Standard)/Normal 2 (x4.0)/Normal 3
(BT.709)/Normal 4 (x5.0)
COLOUR MATRIX: Neutral/Production Camera/Cinema EOS/Original /Video/ Off
Storage Medium Internal, SD Card
Master Pedestal 0 ± 50
Master Black Red 0 ± 50
Master Black Green 0 ± 50
Master Black Blue 0 ± 50
Black Gamma 0 ± 50
Low Key Saturation 0 ± 50
Knee Point + 50 - 95 - +109
Knee Slope -35 - 0 - +50
Knee Saturation 0 - ±10
Sharpness Level -10 - 0 - +50
Noise reduction Off / 1 - 12
White balance Red/Blue Gain 0 - +50
Setup level (0 - ±50)
Wi-Fi & GPS Specifications
GPS Information (Optional Accessory) Location (latitude, longitude and altitude) and GPS information using
Coordinated Universal Time (UTC) can be added to RAW movies, MP4 movies and photos. Satellite data acquisition status can be checked in camera mode.
W-Fi Specification Standard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band) (not supported in Qatar, Indonesia or Iraq) IEEE 802.11b/g/n (2.4 GHz band) IEEE 802.11n/11a (5 GHz band): Differs depending on the model’s destination.
Authentication: Open system, WPA-PSK, WPA2-PSK
Encryption systems: WEP-64, WEP-128, TKIP, AES
White balance
Auto YES. Shockless WB available
Preset Daylight (5600K), Tungsten (3200K)
Manual Setting Preset A/B, Colour Temperature Setting: 2000K - 15000K
Black balance
Black balance adjustment Auto Black Balance Adjustment
Time code
Countup system Regen, RecRun, FreeRun, TC Hold. Drop Frame /NonDrop Frame ( DF/NDF) in 59.94P/29.97P mode only
Audio
Recording Cinema RAW Recording: Linear PCM: 16-bit / 48 kHz / 4 channels
MP4: MPEG-4 AAC-LC (16-bit / 48 kHz / 2 channels), Linear PCM (16-bit / 48 kHz / 4 channels)
Accessories
Supplied LCD Monitor LM-V1 , LCD Attachment Unit LA-V1, Handle Unit HDU-2, Mic holder unit,
Thumb rest, Eyecup, Shoulder strap (SS-1200), Battery Charger CG-A20,
Compact Power Adapter, CA-CP200B, AC Adapter CA-A10, AC cable x 2, Ferrite core,
Battery pack (BP-A30) ,Unit Cable UN-5 , Allen wrench, bolts
Optional Canon Battery Pack BP-A30 (provided with camera)/BP-A60
Canon Battery Charger CG-A10/ CG-A20
Canon LCD Monitor LM-V1
Canon LCD Attachment Unit LA-V1
Canon Clamp Base CL-V2
Canon Camera Grip GR-V1
Canon Handle Unit HDU-2
Canon OLED Electronic View Finder EVF-V70
Canon Shoulder Support Unit SU-15
Canon Rod Clamp RD-1
Canon AC Adapter CA-A10
Canon Compact Power Adapter CA-CP200B
Canon Unit Cable UN-5/UN-10
Canon Remote Controller RC-V100
Canon GPS Receiver GP-E2
Canon Shoulder Strap SS-1200
Canon EF lenses, EF cinema lenses (EF mount)
Miscellaneous
Dimensions (Main Body Only) Approx. 144 x 153 x 179 mm (5.7 x 6.0 x 7.0 in)
Approx. 178 x 153 x 204 mm (7.0 x 6.0 x 8.0 in) [With camera grip attached]
Weight (Body Only) Approx. 1430g (3.2lb)
Weight ( Supplied Accessories) Camera Grip GR-V1: Approx.260 g (9.2 oz.)
LCD Monitor LM-V1: Approx. 185 g (6.5 oz.)
LCD Attachment Unit LA-V1: Approx. 255 g (9.0 oz.) Mic holder unit: Approx. 50 g (1.8 oz.)
Handle Unit HDU-2: Approx. 220 g (7.8 oz.)
Hex Socket Head Bolt:Approx. 5 g (0.18oz.)
BP-A30: Approx. 225 g (7.9 oz.)Unit Cable
UN-5: Approx. 80 g (2.8 oz.)
Thumb rest: Approx. 10 g (0.35 oz.)
Eyecup: Approx. 25 g (0.88 oz.)
Operating Temperature range Approx. 0 to 40°C, 85% (relative humidity)
Approx. -5 to 45°C, 60% (relative humidity)

 

Canon CN-E 18-80mm T4.4 L IS KAS S Cinema EOS Lens
Mount EF
Image Coverage Super 35
Built-in extender None
Focal Length 18-80m m
Maximum Relative Aperture
  • (T No.) 1:4.4 at 18-80mm
  • (F No.) 1:4 at 18-80mm
Angular Field of View
  • 68.7°× 41.9°
  • 17.5°× 9.9° (*1)
  • 72.1°× 41.9°
  • 18.6°× 9.9° (*2)
M.O.D (from Image Plane) 0.5m
Object Dimensions at M.O.D.
  • 43.4×24.3cm [at 18mm]
  • 9.5×5.3cm [at 80mm] (*1)
  • 46.2×24.3cm [at 18mm]
  • 10.1×5.3cm [at 80mm] (*2)
Approx. Size (W×H×L) 93.4 × 107.2 × 182.3mm
Approx. Mass 1.2kg ( incl. servo unit)
  • (*1) Imaging screen size 24.6mmx13.8mm, Aspect ratio 1.78:1
  • (*2) Imaging screen size 26.2mmx13.8mm, Aspect ratio 1.9:1

Internal 4K recording with Cinema RAW Light and MP4 format

As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.

Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.

Capture and record with ease UHD/50P footage to internal SD cards in MP4 format and use Cinema RAW Light to film moments in stunning 4K to internal CFast 2.0™ card. Explore your creativity in Full HD with high frame rate options up to 120P.

Capability drives creativity
The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card.

It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.

Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.

The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.

An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.

Advanced operability and ergonomic design
Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.

The EOS C200’s lightweight body of just 1.4kg is designed for comfortable hand-held shooting and will benefit those who are filming for long periods. The compact size also makes the camera suitable for mounting onto a drone or gimbal.

Built-in Wi-Fi and Ethernet connectivity allows for browser remote control and the ability to transfer files via FTP, whilst the camera’s compatibility options mean new and existing accessories can be used, including Canon’s electronic viewfinder - the EVF-V70.

Cinema RAW Light for next generation workflows
Canon has worked with several partners to ensure Cinema RAW Light is integrated with various software programs . As a result, editing and grading of the Cinema RAW Light video format will be supported in DaVinci Resolve of Blackmagic Design. Editing will be possible in Media Composer from Avid Technology, using Canon RAW Plugin for Avid Media Access . This format can also be processed using a Canon application, Cinema RAW Development.

Support for Cinema RAW Light is also scheduled for EDIUS Pro, Grass Valley’s editing software, during 2017. Additionally, a future version of Final Cut Pro X from Apple Inc. will support Canon’s Cinema RAW Light, using Canon RAW PluPlugin for Final Cut Pro X.

Future Firmware upgrade
Canon’s XF-AVC video format will be available with a future firmware upgrade. This upgrade is free of charge and is planned to be available from 1H 2018.

Professional UHD/50P camera with internal SD card recording and High Frame Rate option
Enter the world of professional 4K filmmaking with a camera boasting a Super 35mm CMOS sensor capable of recording high-definition UHD/50P MP4 footage internally to dual SD card and Full HD up to 120P with flexibility and ease.

Internal RAW recording to CFast 2.0™ card
Record 4K Cinema RAW Light footage in 10-bit/50P or 12-bit 24P/25P internally to CFast 2.0™ card with simultaneous MP4 proxy.

Professional High Quality image and audio
Up to 13-stops dynamic range with Canon Log 3 plus Wide DR for ease of use and high sensitivity ISO 100-102,400.

Dual Pixel CMOS AF and extensive shooting functions
Advanced autofocus options with touchscreen control plus HDR monitoring and 10-stop electronically controlled optical ND filters.

Easy operation and flexible configuration
Robust, compact body featuring an EF mount supporting a huge range of EF and Cinema lenses. Built-in Wi-Fi, Ethernet, SDI and XLR terminals for professional use.

Key Features:

  • Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
  • Up to 15-stops dynamic range (Cinema RAW Light)
  • Professional High Quality image and audio
  • Dual Pixel CMOS AF with touch control and extensive shooting functions
  • Easy operation and flexible configuration
  • Shoot 4K/UHD/50P internally in MP4 or Cinema RAW Light formats
  • Capture and record with ease UHD/50P footage to internal SD cards

CN-E 18-80mm T4.4 L IS KAS S Cinema EOS Lens

Incredible servo performance for precise zoom operation

The Canon CN-E18-80mm T4.4 L IS KAS S represents a revolution in video production. The latest addition is a perfect blend of operability with outstanding precision and quality, giving videographers the power to capture exceptional footage. Supporting hand-held shooting, the lens includes a servo engine for smooth and precise focus and zoom. For those who prefer shoulder-style filming, an optional accessory is available in the form of a dedicated zoom grip, ideal for use with hand held rigs. Free of charge, Canon is also announcing a firmware upgrade to the CN7x17 cine-servo lens, adding Dual Pixel CMOS AF, Push Auto Iris and One shot / Continuous AF features to the lens when used with Canon Cinema EOS C100 and C300 series video cameras.

WHAT'S IN THE BOX

  • 1 x EOS C200 Camera body
  • 1 x CN-E 18-80mm T4.4 L IS KAS S 4K Lens
  • 1 x Lens Cap E-77 II
  • 1 x Rear Lens Cap E
  • 1 x Lens Hood EW-83 M
  • 1 x Lens Case LP1219
  • 1 x Camera Grip GR-V1
  • 1 x LCD Monitor LM-V1
  • 1 x LCD Attachment LA-V1
  • 1 x Unit Cable UN-5
  • 1 x Handle unit HDU-2
  • 1 x Mic holder
  • 1 x Eye cup
  • 1 x Battery Charger CG-A20
  • 1 x Compact Power Adapter CA-CP200B
  • 1 x Battery pack BP-A30
  • 1 x AC Adapter CA-A10
  • 1 x Shoulder strap
  • 1 x Thumb rest
  • 1 x Body cap
  • 1 x Tape measure hook

Introducing the Canon Cinema EOS C200 & C200B Digital Cinema Cameras: Versatile 4K Production