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  • What Is The Best Professional Video Camera To Buy in 2017?

    Growing on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera is a brilliantly flexible 4K camera setup. Intended as a camera that is at home on productions as diverse as any form of film, documentary, advertisement, or corporate application. It sports a Super 35mm sized sensor that lets you to capture images with a cinematic depth of field. The camera integrates a stronger locking E-mount that is fully fitting with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses counting PL, EF, Leica, and Nikon via adapters too. This stronger E-mount is perfect for using heftier cine-zooms without the need for added lens support.

    Behind the lens mount there sits an electronic variable ND filter system that provides a clear filter and 3 user-defined presets as well. The variable ND can be attuned to deliver between 2 and 7 stops of ND. The camera can also capture footage to discretionary on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.

    Professional Video Camera To Buy

    The camera captures footage in either XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording doesn’t support the high data rates the camera is capable of producing when shooting in UHD, and is limited to recording in HD video only. The camera includes Dual XQD media card slots that support concurrent or relay recording. An ergonomically designed handgrip delivers control of many of the camera's functions and features an adjustable length support arm too.

    So, to sum up most of its features briefly, the 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide colour gamut as well. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes with two options, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. Now the XAVC intra compression is very effective and exceedingly efficient, recording at lower bit rates, while the XAVC Long option also significantly extends the recording time while achieving very high quality and low noise.

  • Why buy a camera adapter?

    Creative thinkers love flexibility, and photographers and videographers are definitely no exception. Over time, both amateurs and experts alike tend to accumulate a remarkable gathering of gear. What happens when you unavoidably come across a gorgeous lens that isn’t compatible with your camera system? A camera lens adapter can come to the rescue.


    camera adapter

    Lens adapters are an honestly modest idea. A fitted, threaded ring lets you attach the specific make or type of lens you’d like to use on your own camera body, linking two otherwise mismatched lenses. This opens up an entire new world of potential for some photographers and videographers whose loner lenses have sat too long gathering dust on the shelf. Others, instead of depending on the “best” glass each precise manufacturer has to offer, choose to use the best of the whole marketplace. Also, it’s an easy way to fill in the holes of a collection when your camera firm might not sell the type of specialty lens you require. Plus, it can be a cost-effective way to enlarge your kit, with some older or substitute lenses being significantly cheaper, (even with the added expenditure of the adapter itself) rather than buying a new, high-end type.

    Adapters can link formats, not just systems, and allow the pathways between full-frame, APS-C, Micro 4/3, and large or medium format to join together. It’s suggested that it’s much more practical to “adapt down” by using a bigger format lens on a smaller format camera. Some photographers change camera systems halfway through their career and would hate to see thousands of pounds spent on lenses go to pot. While not every lens is malleable to every camera brand (Nikon cameras can be fiddly to use with substitute lenses, while the Sony NEX cameras are flexible to adopt nearly any lens), these little metal rings can often be a godsend.

    The chief downside of adapters is their mechanical nature. With the bulk of available adapters, no electronic signal is able to pass between the lens and the camera. This means that autofocus, AE metering, and other functions reliant on this contact will be rendered unusable. Some current adapters do include a built-in chip that can alert you with a beep or icon in the viewfinder when you hit critical focus. Either way, adapters generally require that you focus and set your exposures manually.

  • The Best 4K Professional Camcorders Available In 2017

    Panasonic Hc-X1000 4K Camcorder Panasonic Hc-X1000 4K Camcorder Those who wish to make the move to 4K will find the HC-X1000 by Panasonic a respectable choice of camera. With a set of appetising features and the capability of recording 4K ultra HD at 60p onto an SD card, this device not only gives high-quality quality output, but value for money as well. Panasonic AG DVX200 4K Pro Camcorder Panasonic AG DVX200 4K Pro Camcorder The AG DVX200 is the newest 4k professional camcorder to be unveiled by Panasonic. The main selling point for this camera is the fact that it has a 4/3 Sensor and does very well in low light situations. Sony PXW-Z150 XDCAM CamcorderSony PXW-Z150 XDCAM Camcorder   The PXW-Z150 is something that every videographer should look into. With its dense, lightweight design and commanding features, it effortlessly gives users huge value for money while letting them capture the best possible video. JVC HM-200 4K Camcorder JVC HM-200 4K Camcorder The latest 4K Camcorder to come out is from JVC. The HM-200 has been unveiled alongside the HM-170. The GY-HM200 has XLR inputs and the related features while the GY-HM170 does not, so you have options if audio if unnecessary. The GY HM-200 is a great 4K camera and it has been valued a slightly less than many of Sony’s offerings with a similar spec.  JVC GY-HMQ10U 4K Camcorder JVC GY-HMQ10U 4K Camcorder JVC’s GY-HMQ10U 4K Compact Camcorder is one that is most recognised for its high-speed processor that caters for very advanced video applications. This camcorder is armed with a CMOS 4K Sensor as well, indispensable for capturing videos at the resolution needed. Due to its single sensor sensitivity, it works remarkably well over different lighting situations too. The GYHMQ10U also utilises 4K progressive recording in MPEG 4/H.264 format at 144 Mbps. BlackMagic Ursa 4K Camcorder BlackMagic Ursa 4K Camcorder The Ursa from Black Magic Design is the most up-to-date 4K camera to make its entrance into the 4K Camcorder market. It sports a 10″ monitor and dual 5″ monitors for critical control and comprehensive feedback. The wide dynamic range is way above much of the rival firm’s offerings too. This camera is sure to deliver 4K footage that is up there with the best you can produce today. With the release of the Ursa Broadcast camera model coming out very soon, Blackmagic look set to push the 4K boundaries and make the competition sit up and take notice.

  • Buy Professional Camera Bags For Pros And Amateurs Tips

    Being a great videographer means being able to shoot on the move, so you never want to get stuck without an important piece of gear when it’s time to start filming. Whether you’re an amateur or an experienced pro, here are five indispensable items you should always have in your professional camera bag to help you avoid any slip-ups.

    Buy Professional Camera Bags

    gear1. Charged Extra Batteries. We all know that video requires a lot of battery power. Always be sure to buy extra batteries, and have them charged before each shoot. This not only counts for replacements for the dead ones, but also some much-needed help should any batteries breakdown. Extra juice brings peace of mind too, so you’ll be more at ease without having to worry about anything blinking red icons on your screen.

    2. Cleaning kit Camera lenses can repeatedly cost more than the camera body itself, so every videographer needs a class cleaning kit to preserve their lens. Investing in this is tremendously sensible, as it can save you a lot of cash if the lens ever needs servicing in its lifetime.

    Make sure your camera bag is also full of these: A blower, to safely blast away dust and dirt, a microfiber cloth (don’t use paper towels, or your shirt), and finally lens cleaning fluid, which is great for eliminating fingerprints and smudges from the lens and filters.

    3. UV filter Another way of keeping your camera lens spotless and guarded is to get a UV filter. UV filters are not only great for sifting out UV light, but also for avoiding dirt and dust from getting on your camera lens. They can even deliver some protection from impact if the worst ever happens. You should use your cleaning kit before every shoot to keep the filter in good condition.

    4. Tripod To generate a truly movielike shot, every videographer needs a good tripod. It’s a crucial piece of gear when creating a stable shot. The tripod will help you in keeping the image looking sharp, enhancing the depth of field, and allowing you to pan and tilt when filming as well.

    5. Reflector On many open-air shoots, you might not have the assistants around to carry all your lights with you, so this is where a reflector really comes in handy. They are relatively cheap, light, and don’t take up much room either, as they can be normally be folded up into your professional camera bag. Your reflector can be applied to bounce any existing light onto a subject that would otherwise be in shadow or darkness.

  • Buy Professional Camcorders Guide: The Best 2017 Models

    If you are looking for the best professional production quality video cameras, then this is the one list you’ve been looking list you’ve been looking for.

    Sony PMW-300 One XDCAM, The greatest in HD today

    Sony PMW-300 One XDCAM, The greatest in HD todayOne of Sony’s latest professional camcorders is listed first in our top five. This camera is appropriate for a wide range of applications and is already proving itself out in the field. The PMW-300 has an EX mount lens system that is compatible with 1/2″ & 2/3″ lenses. This is the first semi-shoulder mount camera to use both a 1/2″ sensor along with 50MPS recording ability. The Sony PMW range is perfect if you want a camera that is appropriate for both shoulder mounting and normal ENG purposes. This is the heir to the EX3 from Sony and they really have taken things to the next level this time.


    JVC GY -HM650 / HM600 The Portable News Expert

    jvc gy -hm650 - hm600 The Portable News ExpertThis is a next-generation hand-held professional HD camcorder that promises delivery of excellent images whether it’s for sports, news, or independent productions. It’s light and adaptable, with characteristics intended mainly for the purpose of rapid ENG recording. Connectivity and transmission of files is the key selling point of this camera, as it gives you the ability to upload footage while in the field. This camera is operated by the BBC and is accepted for broadcast production.


    Panasonic AG-HPX250 – Panasonic’s Star

    Panasonic AG-HPX250 – Panasonic’s StarIf you’re considering purchasing one of the finest camcorders on the market today, contemplate the Panasonic HPX250. If y
    ou take a look at its spectacular features and abilities, you’ll find out it’s so popular. The HPX 250 does really well in low light situations and has much better image quality. This is one of the best video cameras created by Panasonic and has been one of their best sellers over the past year as well.


    Canon XF200/ 205 – the Latest Pro Performance

    Canon XF200/ 205 – the Latest Pro PerformanceThe Canon XF200/XF205 is the latest pro camcorder from Canon. It has been in the works for a long time, but it’s finally arrived. This beauty is able to record in MXF format, a format used by professional broadcasts. This means any material filmed on this piece is good enough for TV. It comes with Ethernet and Wifi which makes file transfers fast and easy as well.


    Sony HXR-NX5U NXCAM Professional Video Camcorder

    Sony HXR-NX5U NXCAM Professional Video Camcorder

    This amazing piece of kit is ideal for shooting in low-light conditions as well, giving you stunning shots with great definition too. It also has a tremendously impressive Zeiss lens. Its XLR inputs and custom buttons buttons are diverse and rich with multiple functions. Take a look at some test footage if you can to see why it’s one of the best most trusted professional video cameras in the

  • The New Broadcast Lens Fujinon XK6x20 4K PL 20-120mm Cabrio

    Take a look at our brand new Fujinon XK6x20 4K PL 20-120mm Cabrio Broadcast Lens. It’s just come in, and we’re really thrilled about it.

    XK6x20 is a zoom lens for cinema and broadcast cameras that offers high optical performance compatible with 4K cameras and covers a wide range of focal length from 20mm to 120mm. It also makes available T3.5 brightness in the entire zoom range. There is no T drop and it offers easy operation. Numerous scenes can be shot with this single lens aswell.

    It’s armed with a detachable drive unit for electric zooming and focusing which is a popular feature with current products.

    Fujifilm has publicised that it will release the XK6x20 as a new addition to the line-up of 4K-compatible digital broadcast camera zoom lenses brought out in late June last year. It’s also equipped with a PL mount too, the most prevalent format for broadcast cameras.

    Broadcast Lens

    Recently, the need for using visual content that makes use of shallow depth of field created with high image quality and shallow DOF lenses that are exclusive to cinema and broadcast cameras has amplified for shooting various sections for advertisements, gigs, documentaries and dramas.

    Fujifilm released their Cine Lenses, compatible with digital cinema cameras, back in 2002. Since then, it has given us high-resolution, high-quality lenses for broadcasting customers in various production sites in the cinema and broadcasting businesses.

    Some of the lenses features include:

    • High-precision large-diameter aspherical parts created with cutting-edge optical replication technology. It gives you high optical performance and low distortion compatible with 4K cameras from the centre to the edge of the screen, and delivers presentation comparable to prime lenses for digital cinema camera in the entire zoom range.
    • By integrating the colour temperature of the top tier HK series, and compact and lightweight model ZK series, colour grading is streamlined when using multiple lens models simultaneously.
    • Featuring a Flange Back Focus adjustment mechanism, used in broadcasting lenses, for enhanced mounting with cameras to bring out the full optical performance of the lens.

    Using a 9-blade round iris mechanism to achieve the iris shape as round as possible, enabling natural depth of field in all images created.

  • What Are Broadcast Lenses And What They Can Be Used For

    Firstly, Broadcast Lenses are designed for constant video use of at least 25fps instead of sporadic still picture use from an SLR.  So, the design is much more vigorous since any minor mechanical shifting in the broadcast lens would not be perceived when taking stills but would be possibly unpleasant on a Film or TV clip with constant motion.  The broadcast lenses don’t ‘breath’ (change image size while focussing) or if it’s a zoom lens they won't change focal length if zoomed in or out. The entire interior structure is tremendously well engineered with high quality metal parts intended for a lifetime of professional usage.  The elements are high class, high refraction glass.  The lenses are primarily intended for performance, then price, in that order.

    Broadcast lens 3D Broadcast

    Broadcast lenses are also designed to be focussed manually, and the amount of lens spin per shift in focus is firmly managed.  If an object is moving towards the lens at a measured pace a broadcast lens will attempt to have the focus barrel also move at a constant rate (within reason). Furthermore, a human hand can only turn so far in one rotation during a single shot so a broadcast lens will also have a smaller throw for the focus -- a limitation not required for a stills lens.  A still lens will often have an economically priced autofocus system and a ‘manual’ focus ring which can’t match the speediness and sleekness of a manual follow focus setup specifically for broadcast or cinema use. A broadcast lens with a decent operator can manually focus an unbelievable range at various speeds.  It’s difficult to produce a top-quality focus if you are attempting to focus with an automatic focussing setup via a ring of some sort. Still lenses are intended to quickly focus for still photos only.  In the case of a moving image, you may want to focus at whatever speed is needed.  There is always a messiness which goes with trying to focus moving objects on a non-mechanical setup. The majority of Broadcast lenses are a lot more costly because they are just better constructed and optimized for film or TV work.  Many people use still lenses for budget video purposes though, plus they do work, and are cheaper, though not recommended at all if you have funds more professional gear. You simply have to ask yourself “Is this the right tool for the job if budget allows?”

  • Buying The Professional Camera Case That Is Right For Your Equipment

    When it comes to picking the correct professional camera case or bag for your necessities it can feel like there’s a confusing array of choices available, particularly to those who are making the purchase for the first time.

    If you have been using your current professional camera bag or case for some years, you’ll most likely be astonished at just how far developments in bag technology and fabrics have come over the years. Gone are the days when a minor number of producers offered a limited range in a specific style. Now you really are spoilt for choice, with a nearly infinite list of possibilities to consider.

    But before you rush hastily into a decision, there are a few thoughts which are worth taking a bit of time over first. After all, having shelled out your hard-earned cash on some shiny new professional gear, you’ll want to know that what you put it in is going to do a fantastic job of protecting it.

    Professional Camera Case

    Let’s begin with the four key questions you need to ask when making a decision:

    • Will the bag effortlessly house all of my camera gear, with space for extra items?
    • Is it a sensible, professional, easily accessible case or bag?
    • Is it going to be easy to transport and move around with?
    • Are there any important features which I think are lacking, in particular to its intended use?

    When evaluating models, for example, you might want to think about whether a long-established shoulder bag will do the job, or whether a pouches/waist belt organisation would do the trick. For some photographers, a rucksack or roller case will offer the finest result if carrying kit over lengthier distances or for longer periods of time.

    Once you have selected your bag, very often the personalisation procedure doesn’t simply stop with ordering your kit into the several pockets and sections of the base unit. More accurately, there’s a whole host of accessories accessible to you which will allow you to tailor everything from the type of straps you use to extra pockets which effortlessly fix onto designated attachment positions.

    If you pick a camera shoulder bag, for example, some professional producers offer systems whereby you can eradicate the whole of the interior in one go – dividers and all – and switch it for an alternative setup. This is particularly convenient if you shoot with two setups.

    If you choose to take the hard case route maybe with some padding too route, there are many replacement foam sets available to suit the gear you have. You really need to be sure of what’s going into the box before you start pulling the padding out though. In the grand scheme of things, it’s not always possible to future proof your setup. Technology changes, camera form factors change, and so do the jobs you may end up doing instead of your normal gigs. Who knows.

    Finally, those either heading out of the country or into packed areas might like to contemplate security products such as buckle locks. These are great little tools for discouraging would-be opportunists as well.

  • Buy Lens Mount Adapters: The Complete Guide

    Once a photographer or cameraman comprehends lens adapters and lens mount adapters in general, it’s vital to know why they are required. Here are a few reasons photographers and camera operators use lens and mount adapters.

    Upgrading a Camera

    When upgrading to a fresher or more innovative camera within the same brand, you should be aware that camera makers do occasionally change the mounting systems they use for their lenses, so using older lenses with the fresh camera may necessitate the use of an adapter.

    Buy Lens Mount Adapters

    Swapping to a Camera from a Different company

    If a photographer has been shooting with a Canon for years and then switches to a Nikon, the lenses that were bought for the original camera will not be compatible with the next. This is because every camera brand has slightly changed specs, and obviously, firms make lenses that fit their own gear. Not only may the mounting arrangements be dissimilar, but the actual lens sizes will probably differ as well.

    Using Cheaper Lenses

    A photographer who is trying to be economical may want to capitalise on a top of the range camera but may not then have the extra cash to buy a group of new lenses from the same firm. Such a person might then be drawn in purchasing new or used lenses from other lens producers, which will probably not be compatible with the camera. A lens plus an adapter may, in many cases, cost less than acquiring the matching brand of lens.

    Trying out Macro Photography

    Macro photography is the art of taking extreme close-ups pictures of very small things so that the photo images are many times larger than real size. Instances of subjects are things like insects, plants, and anything else nature has to offer. Distinct macro lenses are fashioned for this purpose, and an adapter may be required if the lens, as mentioned, is made by a different company than the camera itself. However, a cheap trick is to invert the prime lens on the camera by mounting it back to front, which will let you to try some macro photography without having to splash out on an additional lens that may not get a lot of use anyway. While the reverse mounting method will not give the same results as a specialized macro lens, it is suitable for experimentation at least. To do a reverse mount, an adapter will be needed of course.

    Another valuable adapter for reverse-mount macro photography is a one that allows a filter to be screwed onto the inside of the lens (which is now actually the outside instead). This is occasionally called a bayonet-to-standard thread adapter. Since exposing the inside of the lens will make it susceptible to getting dirty, which can really impact the quality the images you create, it’s a good idea to attach a cheaper protective filter, such as a UV one, for the sole reason of protection.

  • Buy Camera Adapters To Make Your Camera Rig More Flexible

    Do you want to make your camera rig even more flexible? Lens adapters can open your world up to a range of possibilities, it doesn’t matter if the glass you’re after is strange, traditional, or just no longer built anymore. These magical camera adapters can make camany lenses fit on cameras they weren’t assembled for.

    Lens adapters allow you to use an assortment of great alternative lenses—including some truly unusual optics and some classics that are so incomparable that you may wonder why they aren’t still manufactured. Although the lenses made for your camera may be great, having choices is nice.

    buy camera adapters

    Not every lens is adaptable to each camera arrangement. Generally, adapters are made for use with older lenses that have physical aperture rings, which must be changed by the user. Many modern lenses, have electronic aperture manipulation that won’t work on other cameras. Adapter producers have worked around this conundrum by incorporating a physical actuator for the lens aperture built into the adapter. You still have to physically set the aperture, only by adjusting the adapter, and not the lens itself.

    Pros and Cons

    Since adapted lenses cancel our many of the camera’s automatic features, they slow you down and consequently may not be appropriate for certain uses, such as sports and wildlife photography. But then again, landscapes, architecture, and other specialities that don’t rely heavily on autofocus are well-suited to altered lenses.

    Given the clear problems involved with adapting alternate lenses, and the readily available high-quality lenses for current camera arrangements, why should you then use alternative lenses with adapters? Some of these reasons include:

    Price: Alternate lenses can be inexpensive compared to their unadapted counterparts, occasionally notably so as well. Many are out of production now, but even so, they are still readily obtainable second hand for a reasonable price.

    Quality: Don’t accept as true that your camera manufacturers lenses are the best money can buy. In fact, there are plenty of other lenses that may be better to unadapted lenses too.

    Gap-filling: Even though the lenses for camera systems are fairly extensive in number, sometimes they have holes in the series. Other lenses frequently fill these gaps, particularly for specific uses at times.

    Brand change: If you’ve changed camera systems, but would hate to drop your collection of ‘exclusive’ lenses from your old gear, you might be able to use an adapter and keep using them. This is true when changing between manufacturers (such as from Nikon to Canon) or from some systems within the same brand on occasion. You might not want to give up some of your favourite classic lenses, and these adapters will make it possible to keep on using them.

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