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Broadcast Equipment Blog | 3D Broadcast Sales

  • 5 Tips on Using Audio Broadcast Equipment Properly

    Audio is considered the Achilles heel for any content related to videos, podcasts and other such things. Any time your video lacks in quality, you are going to have poor engagement and interest from your audience. This is why anytime you use any sort of audio broadcast equipment, you need to have the sound spot on.



    Are you having trouble with getting your audio equipment to work properly? Why not follow these 5 tips.

    Audio Broadcast Equipment

    1) Why not use your voice to its fullest potential? Some of you may be loud mouths. This can work to your advantage, especially in cases where the audio is not working properly. Try different inflections in your voice. Try reaching your audience with some emotion. Do whatever it takes. As long as you use your voice to its full potential, any issues with the audio will sort themselves out.


    2) Did you check the connections you are working with? Did you make sure the platform you are using is the right one? Technology can sometimes work against you. There may be a problem with your internet speed. There may be an issue with your computing platform. Maybe the memory you have is not going to hold up. Sometimes it is not always the fault of technology. Sometimes it is the way you use it that hurts you.


    3) You have to keep the environment you are in under control. This is the first rule of thumb when it comes to audio broadcast equipment. Can you hear something in the background? Your audience can too. Get rid of it. There may be heavy traffic flowing through. There may be airplanes coming through every 5 seconds with thunderous movement. This is going to be picked up by your audience. It will be a distraction to you too.


    4) Put any speakers you use through some coaching exercises. You may know how to use the audio equipment. You may know how to make sure the sound quality is excellent. They may not. You need to teach them the ropes. Teach your speakers how to be authentic to the audience. Teach them how to be friendly and receptive. Teach them how to use the microphone properly. This all counts. You may also want to teach your speakers how to adjust the sound quality when needed.


    5) Do a sound check before you start using it. All professional performers do this. Madonna does a soundcheck before her shows. Beyonce does too. You may not be doing what they are doing, but it still boils down to the same point. Address any issues you may have before you begin using the audio. This will reduce the number of times you stop. This will reduce the number of time your audience becomes frustrated over your engagement.


    Always know where your speaker will be on the day in question. Always be aware of the technology he or she may be using. Do not become too uptight about it. Relax and have fun. The rest will take care of itself.




  • Buying the Right Cinematic Camera: The Ultimate Guide

    How To Buy The Right Cinematic Camera

    You may choose to buy a cinematic camera that will help you film in a number of environments, and you may use the camera for a number of projects. You may be a professional who needs a camera for a serious project, or you may be a novice who wishes to purchase a video camera that you may use for recreation. In this article, you will learn some tips that will help you identify the best product for your needs.

    Cinematic Camera Buying Guide

    #1: How Large Is The Camera?


    The camera that you purchase should not be all that large. You may choose something that feels substantial because you intend to apply it to many different shooting scenarios. You may choose something small, and you will find it easy to film everything yourself with the camcorder in your hand. There are many projects that have been shot with a single camera, and they look much better than projects that are shot with a large video camera.


    #2: Pricing


    You likely have a budget that you must stick to, and you will find there is a camera that fits into your budget. The camcorder you buy must not cut into your budget too much, and you will see a variety of options that will help you. You may balance the price of the camera with what it does, and you will find there are a few that likely fit into your budget.


    #3: Digital Takes


    You must record on digital in the modern age, and you will find it easy to transfer to a computer or mobile device if you have chosen a camera that was made with digital transfer in-mind. You may attach the video recorder to a computer as you shoot, or you may dump your information to the computer after the fact. There are quite a few people who will transfer in real-time because of the way they are shooting, or you may choose to transfer at the end of the day of shooting. You may clear the memory on the device, and you will be ready for the next day of shooting.


    #4: Changing Lenses


    You must ensure that you have chosen to purchase cinematic camera that will accept all the lenses you wish to use. There are a number of lenses that must be used for a number of different shots, and you will find each shot to be interesting once you have taken the time to change them out. You may purchase the lenses to match the camera, or you may purchase a camera that will accept all the lenses you already have.

    You deserve to have a lovely shoot with all the equipment you have purchased, and you may purchase a camera today that matches your needs. You may purchase a camera that is easier to use, and you may choose a camera that will help you save money. You will find it easy to shoot your movies as a professional or amateur, and you will notice how easy it is to shoot the film you want after you buy video camera products.

  • Panasonic Camcorder Killer Hacks: Discover The Hidden Functions

    Panasonic Cameras For Better Shooting

    Improving the performance of the camera you are using every day is quite important as it will help you shoot your films more efficiently. You must learn how to make the camera do all the things you need it to do, and you will find it quite simple to ensure that your films look the way you have dreamed. Read this article to learn about hacking your Panasonic camera for your next big shoot.

    #1: Finding The Proper Firmware Change

    You may change the firmware of the camera you are using by choosing an open source program such as Magic Lantern. You may download Magic Lantern to the camera, and you will find that it gives you many options that will send you into advanced settings for the camera. You must consider what the firmware change does, and you must use the delete button to get to their advanced menu.

    Panasonic Cameras

    #2: Changing The Firmware Invalidates The Warranty


    You must be prepared to invalidate your warranty when you make the firmware change. This is not necessarily an issue if the warranty on the camera has expired, and you will find it easy to ensure that you are saving money by using firmware that prevents you from buying a new camera. You may get more life out of the camera, and you will find it does more for you once the software has been changed.

    #3: Changing Settings

    You may change many minor settings on the camera once you have added new firmware, and you will find there are things you may do that the device was not built to do. You will get the camera to help you take pictures or video that was not common in the past, and you may change the filtering on the camera without changing the lens. It is as if you are using a professional film camera, but all you did was change the firmware.

    #4: Connect To Your Computer

    You may connect to your computer to upload all the pictures and video you have taken, or you may use your new firmware to control the camera from your computer. You may set the camera to run from a tripod, and you may be as far away as your cables will take you before you start shooting. You will find it easy to use the computer to manage how the camera works, and you may go so far as turning the power to the camera on and off. You will see the view of the camera on your screen, and you will notice how simple it is to change your shooting style at any time.

    You may add firmware to your camera at any time, and there are a number of people who will appreciate the camera more once they may perform more tasks with it. You may put Magic Lantern on the camera at any time, and you will find access to the settings that you need when you are shooting with your camera in-hand or on a tripod.

  • The New 2017 Canon Camcorders Features

    Over the next month, Canon will be releasing three new and improved camcorders. These Canon Camcorders are the Vixia HF R82, R80 and R800. Now, what makes the new Camcorders better than the rest? All three of these camera recorders have been improved in many different ways. The first includes Canon's new Flexible Fast and Slow Recording. This feature will allow fast and slow - motion effects. Additionally, all three camcorders are now able to correct backlight in High Priority mode which means the camcorder will automatically adjust its settings to prevent silhouettes when the light is coming from behind the subject. Even though all three of the camcorders have theses things in common, each camcorder differs from each other.

    Canon Camcorder

    The first of three Canon Camcorder to be released will be Vixia HF R82. This camera offers 32GB of storage, which is enough to film up to 12 hours. This recording device is also able to connect to WiFi to allow your videos to be uploaded to your favourite social media website. Another distinguishing component to this camera is that it has an inbuilt optical image stabilisation which allows you to film while walking and avoid camera shake. The Canon Vixia HF R82 has a 3.28MP CMOS sensor and DIGIC DV 4 image processor that work together to capture sharp and dynamic footage. This camcorder comes at a pretty price of $450.00.

    The second of three Canon Camcorder to be released will be the Vixia HF R80. This camcorder has a 16GB memory card for storage. This will allow up to 6 hours of footage. This video camera also can connect to WIFI and has optical image stabilization to allow filming while walking. What sets this camcorder apart from the others is that it has an extra sensitive processor which produces full HD videos with vibrant color even in low light settings. This camcorder comes at a pretty price of $350.00.

    The third of three Canon video recorder to be released is the Vixia HF R800. This camera does not have any internal memory, it only has an SD card slot. Additionally, this camera does not connect to WIFI. What makes this camera unique is that it has an onboard DIGIC DV 4 image processor. That processor allows the camera to capture extra light and remove noise for an enhanced image. This camera comes at a pretty price of $299.

    All three of the Canon Camcorders, the Vixia HF R82, R80, and R800, will allow you capture high-quality videos and pictures. They have many similarities which make them a great camera including Flexible Fast and Slow Recording, and correcting the backlight. They do have their differences in memory storage, being able to connect to WIFI and cost. No matter which Canon Camcorder you choose, you will have a great camera to capture numerous important moments in your life.

  • How To Use A Broadcast Camera

    Knowing how to film something is fairly simple. You aim, shoot, then it's done. Creating a broadcast takes a little more knowledge and a lot of practice to become a professional. While going to school to get a degree is helpful if you want to pursue this as a career choice, many simply want to create broadcasts that they can use for various forms of distribution. There are tips that allow anyone with a desire to learn how. Here is an informative piece to answer the question of how do you use a broadcast camera?

    Broadcast Camera

    1. Perspective is the first point that most new broadcast camera users fail to understand. Most new broadcaster shoot everything from shoulder height. That is old-school and boring. Mix it up and shoot from different angles, just watch the changing levels and make sure that you aren't making your viewers dizzy.


    2. Along the lines of perspective, consider the main goal of the footage. Are you trying to capture an event or the various perspectives of different people of things? How will that add creativity to your final product? These are all questions to evaluate your goals before shooting the footage.


    3. Focus can help enhance your perspective and goal that you are trying to reach for your broadcast. Play around with various focus choices to see how it can be used to enhance the broadcast.


    4. Lenses should be carefully considered as well. If you are shooting a scene from a distance, then you really need to think about how that is affected by a simple telephoto lens use instead. There are a lot of others lenses as well that help enhance the quality of the broadcast.


    5. Don't forget the scenery. Many common scenery additions for that perspective can really enhance the final product of the end result. For example, shooting from one room to another, through a few leaves, or any other viewer perspective can take a simple broadcast from simple to stunning. Even green screen can be used, although that does take a lot of practice in order to master it. Scenery in the background is typically there and available for use at any time. The world is your stage! Go look around and don't forget that perspective and goal for the broadcast.


    6. The final thing to consider is the camera that is used. There are cameras, and there are really good cameras. One excellent choice is the Sony PXW-FS7M2 XDCAM Super 35 Camera. It offers home productions a level that most broadcasts simply do not offer. It isn't cheap, but then the price can be well worth it. There are other good choices for a quality camera that can be used to create excellent content for broadcasts.


    All of these tips will help answer the question of how do you use a broadcast camera? This is simple to do, and with a good quality camera, any broadcast will go to the top as a quality production that sells itself.

  • Where To Find The Best Second-Hand Broadcast Equipment

    When it comes to getting quality broadcasting equipment, you may be tempted to go with traditional resources. In the past, you could get away with going to some locations around town, or even an auction based website. But that's no longer going to help you get the right kind of equipment.

    You see, many people are selling knock off items, and are not going to give you the best used broadcast camera. They will sell you items that are broken, or need parts, and that can be frustrating. Where do you find the best equipment today? Without breaking the bank? Well, it all starts with a few quick tips on what you need, and then going through finding the right resource for those items.

     Why Used and Not New?

    Before getting into the right choice, you should first know that used is not a bad word. You may run into some people that have this idea that anything that has been used before is not going to be as good as new. That's not the case. Many times, productions don't need all of the equipment that they've purchased, or used during a set.

    Used Broadcast Equipment

    Afterwards, they liquidate their items, or they sell them off to others. You will find that many used items are in great shape and could very well last you a good deal of time. Don't let yourself lose sight of that notion.

     Don't Waste Your Time With Thrift or Auctions

    You may be tempted to look into used broadcast camera online through auction sites, or in person at thrift stores and yard sales. Don't waste your time. Auctions are not going to give you the same kind of quality as you may expect. Furthermore, with shipping, fees, and more, you could end up spending nearly tripe for used items. The same goes for thrift stores and other locales that sell used items. These are not going to pay off dividends.

    In fact, you're going to be at the mercy of the store, as they will not know what they have, and most often will not treat things right. Why risk buying broken items? Think about that for a moment. Simply put, the most "obvious" of solutions for buying used electronics, will not help you out with the purchase of broadcast equipment.

     The Best Option Today

    Look, you need the "right" equipment. You don't want to mess around with items that are not meant for broadcast quality recordings, whether it's audio or video. To find the "right" and best used broadcast camera, you will want to go with a trusted resource. That's where comes into play. The company is a trusted resource in the world of broadcast equipment, and will give you a fair price for items that are in fact in good working order. They are tested, and will give you the right progression for your next production.

    Whether you're doing something with a large budget, or something with a modest budget, you'll find that getting used, second hand equipment is worth investigating. Check out a trusted source, and don't waste your time looking at other solutions.

  • Tips to Use Professional Camcorders

    5 Great Techniques for Creative Camcorder Usage


    It is not enough to point and shoot these days. Anyone can do this. Using a professional camcorder takes inventiveness and creativity. You really have to be a step above the crowd to make the shot count. You have to find the shot no one else is getting and use it. This requires some "out of the box" thinking". This requires using some good-quality professional camcorders to get the footage, not the sub-par quality cheaper brands available to you now.

     Professional Camcorders
    Here are 5 ways to get the most out of your professional camcorders.

    1) You do not always have to place your professional camcorders on the shoulder. Not everyone has to know how tall you are. Professional camcorder footage needs some low angle shots. These shots show the viewer a bigger than life storyline. You can also get some high angle shots. These shots show the world a bird's eye view of what is happening. The eye level is not going to give you the greatest footage all the time.

    2) This is your chance to capture footage you may not be able to get otherwise. It is not just about the ordinary shots anymore. Capture some footage of a person getting some food from the fridge. You will be surprised at the type of footage you can get from the perspective of a hungry person.

    3) Use a soft focus more. This will give you a chance to capture different perspectives and elements. This can be done by boosting the shutter speed and opening up the iris. Are you shooting something long distance? Why not put something nearest to you in front of the lens. This will give you a unique perspective on both the near and far items.

    4) Try to compress the distance. You can also try to expand on the distance you are using. Say you are shooting something from a distance. Try using a telephoto lens. The background is going to appear so much closer than it is. Your background will appear to be so much closer to the far-away subject, closer than it is. Want to do the opposite. Use your zoom and go out to a wide-angle setting. Begin shooting at a closer range. The background is going to appear to be much farther away.

    5) One final thing you can do is try shooting through something. Take a subject and get it to frame through a keyhole. You can do the same by using an archway. You can use a mirror. Use a rear-view mirror to make it happen more accurately. This way you can find something natural each time you look around.

    The best shots are the ones you make up. The best shots are the ones no one else has thought of. Be inventive. Be imaginative. Your camcorder will do the rest.

  • Buy Professional Cameras: The New Ursa Mini Pro 4.6k Camera

    Blackmagic Design announced at the beginning of March that the URSA Mini Pro 4.6K, a new professional camera that unites high end digital film quality with the ergonomics and characteristics of a traditional broadcast camera. URSA Mini Pro features a huge number of tangible control buttons, switches and dials that make it much quicker to use, built in optical ND filters, a new substitutable lens mount, dual CFAST 2.0 and dual SD/UHS-II card recorders, and a lot more.

    The URSA Mini Pro 4.6K is available now for £5,190.00 from us here at 3D Broadcast, plus if you own a Blackmagic URSA 4K or 4.6K Camera, upgrade this to the New URSA Mini Pro for only £3,432.00

    The new URSA Mini Pro unites the finest digital film technology with the most forward-thinking broadcast features and ergonomics accessible today, making it perfect for use in high end feature motion picture, TV shows, advertisements, and indie flicks, as well as broadcast news, studio and even live multi camera production.

    Buy Professional Cameras

    The URSA Mini Pro Professional Camera is intended to be the hardest and most fully featured camera in existence. It includes everything clients need in a solid, compact handheld magnesium alloy body that’s hard-wearing and light enough to use wherever. There’s a peripheral high visibility LCD status display for looking up critical shooting data, a foldout touch screen for studying shots without needing an extra on-set monitor, specialised connections such as 12G-SDI, XLR audio, and built in top quality stereo mics too. Plus, every single control on the camera had a redundancy feature, including the power, so if anything should go wrong on a shoot, the camera can still be used.

    When it comes to image quality, URSA Mini Pro features a custom 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range and a super wide colour gamut. Third generation Blackmagic Design colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and an enormous amount of dynamic range. URSA Mini Pro is ideal for everything from standard rec. 709 broadcast HD to the latest rec. 2020 high dynamic range digital film production.

  • What Is The Best Professional Video Camera To Buy in 2017?

    Growing on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera is a brilliantly flexible 4K camera setup. Intended as a camera that is at home on productions as diverse as any form of film, documentary, advertisement, or corporate application. It sports a Super 35mm sized sensor that lets you to capture images with a cinematic depth of field. The camera integrates a stronger locking E-mount that is fully fitting with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses counting PL, EF, Leica, and Nikon via adapters too. This stronger E-mount is perfect for using heftier cine-zooms without the need for added lens support.

    Behind the lens mount there sits an electronic variable ND filter system that provides a clear filter and 3 user-defined presets as well. The variable ND can be attuned to deliver between 2 and 7 stops of ND. The camera can also capture footage to discretionary on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.

    Professional Video Camera To Buy

    The camera captures footage in either XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording doesn’t support the high data rates the camera is capable of producing when shooting in UHD, and is limited to recording in HD video only. The camera includes Dual XQD media card slots that support concurrent or relay recording. An ergonomically designed handgrip delivers control of many of the camera's functions and features an adjustable length support arm too.

    So, to sum up most of its features briefly, the 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide colour gamut as well. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes with two options, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. Now the XAVC intra compression is very effective and exceedingly efficient, recording at lower bit rates, while the XAVC Long option also significantly extends the recording time while achieving very high quality and low noise.

  • Why buy a camera adapter?

    Creative thinkers love flexibility, and photographers and videographers are definitely no exception. Over time, both amateurs and experts alike tend to accumulate a remarkable gathering of gear. What happens when you unavoidably come across a gorgeous lens that isn’t compatible with your camera system? A camera lens adapter can come to the rescue.


    camera adapter

    Lens adapters are an honestly modest idea. A fitted, threaded ring lets you attach the specific make or type of lens you’d like to use on your own camera body, linking two otherwise mismatched lenses. This opens up an entire new world of potential for some photographers and videographers whose loner lenses have sat too long gathering dust on the shelf. Others, instead of depending on the “best” glass each precise manufacturer has to offer, choose to use the best of the whole marketplace. Also, it’s an easy way to fill in the holes of a collection when your camera firm might not sell the type of specialty lens you require. Plus, it can be a cost-effective way to enlarge your kit, with some older or substitute lenses being significantly cheaper, (even with the added expenditure of the adapter itself) rather than buying a new, high-end type.

    Adapters can link formats, not just systems, and allow the pathways between full-frame, APS-C, Micro 4/3, and large or medium format to join together. It’s suggested that it’s much more practical to “adapt down” by using a bigger format lens on a smaller format camera. Some photographers change camera systems halfway through their career and would hate to see thousands of pounds spent on lenses go to pot. While not every lens is malleable to every camera brand (Nikon cameras can be fiddly to use with substitute lenses, while the Sony NEX cameras are flexible to adopt nearly any lens), these little metal rings can often be a godsend.

    The chief downside of adapters is their mechanical nature. With the bulk of available adapters, no electronic signal is able to pass between the lens and the camera. This means that autofocus, AE metering, and other functions reliant on this contact will be rendered unusable. Some current adapters do include a built-in chip that can alert you with a beep or icon in the viewfinder when you hit critical focus. Either way, adapters generally require that you focus and set your exposures manually.

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