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  • Professional Camera Equipment Tips: How To Get Better Lighting For Your Photography

    There are many aspects that affect the quality of images in photography. Proper lighting is among the most crucial of these aspects. Even with the right professional camera equipment, your photos may not be of as high quality as you expected if the lighting is poor. For this reason, the tips below will help you get the perfect lighting for your photography.

    Take Advantage Of Natural Light

    If you are taking your pictures indoors during the day, then you should make the most of daylight. This means you should place your subjects in doorways and near windows. Daylight is bright and will help create an even lighting. Even if you are not using daylight as the source of light for your subjects, it can be helpful if you are trying to achieve a silhouette or shadowy effect. If you are using daylight as your light source, remember to turn off any other lights at your set to prevent contamination. However, while daylight is good for your photography, avoid direct sunlight. The brightness from direct sunlight is harsh and won’t look good on your images.

    Use A Broader Source Of Light And Move It Closer To Your Subject

    Doing this helps create a softer light, which is fundamental if you want high-quality images. Softer light will suppress the texture and minimize contrast. Using a broader source of light ensures more light rays are hitting your subject from relatively more directions. This reduces the shadowy effect. The logic behind moving your light source closer to your subject is that it becomes bigger and, therefore, broader.

    Lighting For Your Photography

    Minimize Overhead Lighting

    You should minimize overhead lighting as much as possible. In fact, unless you want to create a shadowy effect, avoid overhead lighting. This is because the shadows created from the overhead lighting can exaggerate the appearance of your subject in your images. However, if you must use overhead lighting, consider positioning your subjects just a few steps back from the overhead source of light. Doing this will prevent the light from shining directly onto them.

    Use A Diffuser And A Reflector

    Diffusers and reflectors are the other professional camera equipment you will need to get better lighting that will enable you take better-quality photos. A diffuser serves to make the light broader by scattering it. This equipment is especially useful when you are taking your photos in an environment with harsh lighting such as in bright sun. A simple white fabric or scrim, a translucent plastic, or a light tent are some of the equipment you can use to diffuse light.

    On the other hand, unlike a diffuser, a reflector bounces light instead of scattering it. A reflector is ideal for both daytime and nighttime photography. You can buy it or simply find a piece of white paper and get someone to reflect or focus it onto your subjects. You can also use a poster board in the place of the piece of paper. Diffusing or reflecting light helps reduce or eliminate shadowy effects.

  • How to Broadcast Multiple Cameras Live Streaming

    First of all, to provide a live stream you need to be able to film. To accomplish this, equip yourself with a digital broadcast camera. You may use more than one video camera, a webcam, a mobile phone, and so forth. Always make sure that the video camera you utilize will provide high definition video. It is also critical to ensure that the stream incorporates a high-quality audio track.

    broadcast camera

    Never make use of the microphone of the broadcast camera. Rather, equip yourself with an additional microphone. The sound is going to be more lucid and also more impressive. Also, echo and noise contamination will be decreased.

    What exactly is an encoder, and how do I make a choice on which encoder to use? To have the ability to link the visual and audio data as well as give the target audience a high quality stream, you need to move through an encoder which will alter that data and give back one stream. Various kinds of encoders can be found in the marketplace.

    An actual physical encoder is more or less a box. The actual physical encoders are usually a case you can hook up to your trusty digital camera, by means of an HDMI wire, along with the microphone. This package is then linked to the web as well as will enable you to propel the stream to the distribution system.

    To be able to enhance the visual quality, don’t link units with Bluetooth. It is also usually advisable to link the encoder to the web with a wire instead of with wireless. As well, if you want to steer clear of any degradation of the visual quality, do not use a collective network with other services or devices, rather link the encoder to a dedicated world-wide-web connection.

    If you do not want to invest in a physical encoder, encoding software ( free or paid ) is available. However, you will still need to have a computer connected to the Internet, and you will need to connect your cameras and microphones to your computer. Encoding software is free or for a fee. To generate a stream using encoding software, it is recommended that you have a powerful computer. Broadcasting live is a resource hog, so I advise you to close all other applications that you do not use when you send a feed.

    Finally, when your hardware is configured, it's time to send your feed and share your live to your audience. The Internet connection and the broadcast platform are required. At a time when HD and 4K have become the standard on video quality, you have to make sure you have a good connection, ideally a fiber optic one. To be able to offer a good quality live stream you will need a bit rate connection of at least 2.5 Mb per second.

    Many internet sites like will let you know the throughput of your connection. Finally, to be able to broadcast your live in a player and share it with your audience, you have to choose a broadcast platform. It provides you with a mount point, a sequence of numbers and letters, as well as a streaming video server address, this address will always start with rtmp : //.

  • Used Broadcast Equipment: The Ultimate Guide

    What to Know Before Buying Used Broadcasting Equipment

    Both professionals and amateurs in the world of broadcasting know that their equipment is precious. Each piece costs a ton of money, meaning they need to take every precaution to ensure nothing happens to damage it. Eventually, though, every broadcaster will be forced to buy a replacement. When this happens, it might pay to look into used equipment instead of something brand new.

    Used Broadcast Equipment

    Good quality used equipment can be just as good as something straight from the box. Whether online or in person, it's a good idea to consider all your options before purchasing new electronics. But what should you look for to get the best deals on the best used broadcast equipment? Here are a few guidelines on what to look for.

    Pay Attention to the Condition

    When trying to find used broadcast equipment, it's important to know the quality of what you're buying. Obviously, if you end up buying something that's been dragged through the mud and is ready to fall apart, that isn't a good deal no matter how much money you saved. Always be sure to research the condition of an item before purchasing.

    A few terms to look out for are "open box", "refurbished", and "secondhand". Equip that's just been used for display purposes (i.e. has only had its box opened) will still cost less than a new model despite the fact it has never actually been used. A refurbished piece has been returned after previously being used, but has been restored to factory new conditions. A secondhand item varies the most in quality, having been used and resold with varying degrees of wear and tear. Depending on what you're trying to buy, any of these could be a good option.

    Know Who's Selling

    As important as it is to research your items, it's also important to look into who's selling them to you. Licensed sellers or those with good reputations are ideal. Buying from someone you don't know and have no reason to trust might save you some money, but it's just as likely you could be getting your hands on a piece of garbage or even stolen property.

    A good tip is to see whether or not your seller offers some form of written warranty or return policy. Generally, reputable sellers will give you the option to return what you buy as long as you haven't heavily tampered with the product or packaging. Replacements for defective or damaged equipment are also a good sign.


    Now that you know these helpful tips on purchasing used broadcast equipment, put what you've learned into action. Always be sure to verify the condition of your items as well as who's selling them. Don't be afraid to double check or back out if something doesn't seem right. With that in mind, good luck and happy buying.

  • Which Pro Camera Do You Need to Shoot Like a Professional?

    What's Does It Cost to Look Like a Professional Photographer?

    So you've taken some stunning shots with your iPhone or your 100 dollar pocket camera that you think are pretty good. Or at least are pretty good for the tools you have. But what kind of professional camera should you get if you want your photography to do more than fill up a Facebook page or create a really small photograph? In other words, what kind of professional camera do you buy if you want your work to look like a professional photographer?

    Pro Camera

    Pro CameraThe Disadvantages of Cheap Cameras.

    The two big disadvantages of less expensive cameras, say less than $500, is their megapixel rate and how they perform in low light settings. Yes, you can take really good photos with your iPhone but you can't do too much with them because the resolution is usually pretty poor. Or there aren't' enough mega pixels to enlarge the image. So it looks great if you're trying to frame something that's the size of a Postcard, or your phone screen, or the Internet. Not so great for anything else. The second disadvantage is that you very rarely take anything decent in low lighting. It's just a bunch of blurry blacks and greys with maybe a headlight or a moon that you can barely make out. So how much to invest in a camera that can take quality pictures that you can enlarge and also has a decent ISO level for taking pictures in the dark? Here's a page where they show off the kinds of pictures you can take with that camera. You should notice that there's nothing taken in the dark. And the one picture taken even on a cloudy day doesn't look that good.

    The Advantages of Looking Like a Professional Photographer or the $500 dollar Price Point.

    If you want to look like a professional photographer then there are some tools that you need to look for, and generally these tools don't kick in until you're at the $500 dollar level. But you're looking for one thing in particular and that's an automatic ISO level, determines lighting, in the 6000 to 12000 range. For example, here are day and night pictures taken by the D3300, that retails for about 500 bucks or so with just one lens. These pictures are better because the camera is better. They're even better in the day time.

    Same Rules for ProfessionalV Cameras ($500 dollar minimum).

    Of course, the kind of professional camera or professionalV camera (video camera) depends on what kind of work you want to do. You can easily spend 5 grand on the best camera and an assortment of lenses but do you need that for a wedding party? You probably don't. But you might need these tools if you're shooting an amateur film. One website recommends a $2000 video camera if you're serious about shooting something that looks like a movie. Bottom line, you don't have to spend 10 grand on a pro camera or 20 grand on a professionalV camera to do good work. But you probably need to start thinking on spending at least $500 dollars to get to a professional level. And in some cases several thousand might be what you need for high-level video work. Figure out what you need for the job and go from there.

  • A Buyer's Guide For A Camera Rig

    You may buy professional camera rigs when you are producing any number of pieces of media. You are responsible for the appearance and sound of all media you produce, and you must ensure that it has been recorded properly. This is a buyer's guide for camera rigs that you may use for your advantage. Follow the steps listed to ensure that the camcorder is set up in the proper manner. A camera rig needs not be all that complex, it must be organized in a simple fashion when you are working.

    Camera Rig

    The Tripod

    The tripod you use for the rig is more important than the camera. Your tripod will prevent movement on the camera, and you will avoid problems that are caused when your device is handled by instead hands. You may set up your video camera on the tripod at any time, and you may choose a rig that includes wheels. You may move the camcorder from one location to another, but you may lock the brakes on the tripod when you wish to leave the camera stationary.

    Your Camera

    The camera you choose must be fit for the sort of recording you plan to do. You may record in the movie style, and there are beautiful cameras made for just such a purpose. You may choose the machines that are used for television, and you may select smaller cameras that give your film a found footage feeling. You may purchase more cameras, and they may be interchanged when you are using a single tripod.


    You must have cables to power your camera, the computer you are running your feed to and cables to connect to the computer. You may run your feed to the computer with a single cable, and you may watch the feed on a monitor. It is quite easy to set up your camera to ensure you are watching what it does, but you must use cables that will offer the best signal.

    The Batteries Or Battery Packs

    You may use batteries or battery packs to ensure your camcorder is running properly, and you will avoid losing power during filming. Someone who is looking for batteries may purchase proprietary batteries for the camera at any time, and you may purchase battery packs that may be taken with you. Battery packs offer more power, and they may be plugged in when you are running out of power.


    You must have a proper light on your camera rig, and it is important you have attached the light to your device when you begin filming. Someone who is attempting to film without a proper light will not see what they wish to see, and you are far better off using a strong light that you may compensate. The lights you use may be placed around the area where you are filming, or you may use a single light that you manage with a dimmer.


    You may attach a microphone to the camera at any time, and it will pick up all noise you have on the set. You may use an external microphone that is much easier manage, and you may attach a microphone to your computer when you are recording. You may sync your audio and video, and you will find it easy to choose a microphone that will record in the style you prefer. Everyone who is using a secondary microphone will find it much easier to change their sound quality, and you may run your sound through filters on the computer.


    You must have camera rigs with lenses that you may interchange as you are shooting. You may buy professional camera rigs that are fitted with proper lenses, or you may choose your lenses after the fact. Lenses will help you reach items that are far away, and you may gain the proper amount of focus on each shot. You will find the films look better, no you adjust as much as you like.

    Weather Gear

    You must purchase weather gear that will protect your devices from rain and wind. You will notice that bad weather happens more than you could imagine, and you must cover your equipment as it could be damaged when it is not covered during a storm. You may sling the gear over your cameras at any time, and it may be removed when the weather clears up. This is an essential part of your kit that is far more than an umbrella or a poncho. You must commit some funds to protecting your investment in film equipment.

    There are many reasons to use a proper camera rig, and you may build one yourself using these steps. Each step will allow you to add to a lovely video camera rig for your next film.

  • How To Insure Your Professional Camera Equipment.

    When disaster strikes and you're not covered, you don't want to be left wishing you did the right thing when you got the chance. If photography is what you make for living, it would certainly be a significant hit—and might even cost you your business. In times when photographers carry anywhere up to $15,000 of gear on them at one time, insurance should be the first thing you should be looking at.

    Professional Camera Equipment

    Many people aren't aware of the fact that, as long as they're not making 50% or more of their income doing photography, their insurance will cover them for their lost or stolen camera gear. However, if you're one of the pros mentioned who regularly tote around $15,000 (or even just a few thousand) worth of gear, then the following article is for you. In these days and age, having a plan to protect yourself against thieves and the elements can—in some cases—save your business.

    Photography Memberships

    There are a handful of photography organizations out there where, if you are paying to be a part of the organization, they will cover many things or offer their own discounted insurance as a perk of being a member. A couple of examples include:

    • Professional Photographer's Association (PPA) – $28/month or $323/year – covers loss due to fire, camera equipment, and computer hardware breakage. Deductible is $250 the first time, $500 the second time, and $750 the third time (in a year).
    • American Photographic Artists (APA) – Business insurance available to Supporter level members ($125/year) and up. From $400 min. annual premium for up to $31,0000 of coverage on equipment only plan to $500 min. and $2,000,000 gen. liability coverage along with rental coverage for the premier business package. Student and educator discounts available.

    Getting Your Own Insurance

    Perhaps you're not interested in paying dues to be part of an organization, or you simply don't want to utilize their tools. Becoming a member of a photography organization is not the only way to attain insurance. Following are a few examples of insurance you can hold without having to become a member of any group beforehand.

    • Insureon – covers general liability, business ownership, pro liability, inland marine protection, and umbrella insurance with the average policy premium being around $500. The general liability limit is $2,000,000 and claim limit is $1,000,000. Average deductible under business policy is $250.
    • Allstate – Coverage for general liability, business interruption, employment practices and data compromise liability, and professional liability.

    Don't wait for the unexpected in life to blind-side you. If a fire brings your business to a halt, or if a lawsuit could break the bank, insurance is something to heavily consider as your business continues developing.

  • How to Use Handheld Camcorders to Keep Your Image Still

    While certain situations can call for “shaky cam” as a deliberate technique, it’s often much more encouraged and desirable to strive for a smooth, steady picture when filming. With no peripheral vision available around the stationary video frame, it becomes glaringly obvious when video footage is unsteady, and that almost always distracts from the content that you’re trying to present. Keeping your video footage steady and your camera movements smooth demonstrates professionalism and skill as a camera operator and results in a far superior final product.

    Use Handheld Camcorders
    One of the most effective ways to keep your video steady is to use a stationary support, such as the classic tripod. Pretty much all decent handheld camcorders have a plate on the bottom that can be used to affix it to a stand for easy stabilization. Tripods can provide one of the most reliable and consistent ways of keeping your camera steady if you’re shooting from a static location. If you’re shooting in a tighter space, a monopod could be a good choice—it provides stability with only one leg, thus requiring less space than the extended legs of a tripod. There are plenty of choices out there that utilize four legs as well, but these are generally only useful on smooth surfaces since rough terrain will cause them to wobble and thus defeat the purpose. Tripods are generally the most versatile and stable choice for any location.

    If you’re going to need more mobility while shooting or prefer not to attach your camera to a stand, then there are plenty of other options that don’t require additional equipment. You can always brace your elbows against a railing, the hood of a vehicle, or any other available surface at a similar height. Another good method is to bend one knee to rest on the ground, and brace your elbows on the other. Vertical surfaces work to brace your camera against as well, or to steady yourself against while you hold it. Leaning against trees, walls, or other surfaces will do wonders to help keep your footage smooth.

    If there are no good ways to stabilize yourself against an object, then it’s definitely still possible to reduce the amount of shake that your body’s natural movements tend to create. While using handheld camcorders, try bending your knees to absorb shock and improve your natural balance, thus reducing the amount of movement you’ll need to keep steady. Same goes for your elbows—keep them away from your body so that the motion of your breathing doesn’t interfere and your joints can absorb as much shock as possible.

    Another good tip to consider is to use a neck strap for your camera, and extend your handheld camera as far from your body as possible, keeping the strap taut. The tension created by this method will provide some steadiness and keep the camera from being able to move as much while you hold it. Some good technical advice for keeping your footage nice and smooth no matter your stabilization method is to make sure you’re using the widest possible lens angle that’s suitable for your shot. This will seriously play down any camera shake that you wind up with despite your best efforts.

  • The Ultimate Guide To Buy Lens Controllers

    You may purchase a number of different lens controllers for your media broadcasts, and it is important to use a few simple tricks to purchase each device. The devices you buy for your broadcasts use, must be chosen given your personal needs, and you may buy lens controllers that are appropriate for the work you prefer to do. Each step in the process will help you choose the proper controller, and you will save money by purchasing the exact item you need.

    Buy Lens Controllers

    Which Camera Does It Fit?

    You must choose a device that will fit the camera you are using. There are many people who will not use the right lens controller because they believe they are all the same. You may use the Lens controller on the camera it fits, and you must check the measurements before you make your next purchase.

    How Do You Control It?

    You may buy lens controllers that have proper control options, and you will find it quite easy to use the device when you are comfortable with it. There are many people who do not know how to use the controllers, and they will find the camera is not managed properly on their next broadcast. You may check specifications for the controller, and you must ensure that you know how you will control the lens while you are shooting.

    What Is The Range?

    The range of the controller is important, and you may use the controller with your camera when you are shooting in a number of different locations. You are attempting to shoot with your camera in the most artistic way possible, and you will ensure that you have control over the lens for each change of shot. You may create films that are in the style you prefer, and you may control the lens without much effort.


    There are quite a few pricing options for your controller, and you must search online to ensure you know how much you should spend. You will find the cheapest and most expensive controllers in the industry, and you must look over each item to ensure that you know what you are getting for the price. The prices that are paying must offer you value, and there are quite a few items that will not make you feel as though you are receiving value. You cannot save money on your purchase if you buy the first thing you find.

    You may purchase from a large list of lens controllers you wish to use, and there are places that will offer every available item in the industry. Someone who is searching for a better lens controller will notice that they may see a range of sizes and options for each controller. You may purchase a device that fits the specific camera you are using, or you may need to purchase a device for each camera you plan to use. Your broadcasts will look much better, and you will purchase for the specifications you need.

  • Cinematic Camera Buyer's Guide

    Various types of cameras can be great for different shooting scenarios. Cameras come in a range of styles resolutions, and most important price. Considering the budget can open doors to a better quality device. Starting with a lower budget camera may be the best option for individuals just entering into the world of photography and videography. Hidden costs can be deceiving. It is important to weigh every option and know the camera. If you choose to buy a cinematic camera, ensure you know the upkeep, add-ons, and other parts of the camcorder which can end up pricey. Buy cinematic camera based on what your goal is, your budget and your experience level.

    cinematic camera Buyer's Guide

    The digital movie camera offers many important attributes, such as quality resolution, image-sensor size, dynamic range, and color sampling. Cinema cameras offer a range of recording formats, connectivity, and form factors. Lens selections are one of the most important fundamentals of cinematography. Standard lens mounts have a wide range of potential candidates. Native DSLR mounts, mirrorless camera mounts, and PL mounts are the available mounts. DSLR are non-adaptable mounts, whereas mirrorless can be adapted. It is important to know about sensor sizes. Sensor sizes are extremely important to know about this because it can be seen as the most important part of the camera. The standard sensor size has become more developed around the standard 35 (3perf 33mm) frames. The sensor size becomes an important piece because it directly influences different parts of the camcorder, such as; the lens capability, the imaging characteristics, and the depth of field. The depth of field is the range of focus. If a shot is taken with the lens at f/2.8 on a full framed camera, then the shot will end up appearing shallow versus a shot using a Super 35 sensor. The Super 35 sensor gives the camera aperture a less shallow depth experience.

    The camera’s resolution is where you can begin to notice a drastic price change in the digital movie devices. Choosing the amount of resolution depends on the market. Online videos require nothing above 1080p. Jumping into something more theatrical can require upwards of 4k. A production meant to be shown in HD can experience issues if not upwards of the 4k resolution. For example, a sharp image can be seen at a 2.7k-resolution video. The problem with the 2.7k-resolution is when the theatre projection goes to an HD showing. It is recommended that is someone plans to record a 2k/1080P camera, that they carefully consider recording a 4K instead.

    One of the last things to consider is how much editing is intended to be implemented in the videos. Raw data allows for flexibility when editing images. Now all cameras have raw recording capabilities. The in camera decisions such as white balance are taken away, and you can choose how much goes into it. A raw workflow can take a toll on the budget, and on the memory. Remember at the beginning hearing about the add-on costs per the cinema camera? Here it is. Camera memory and crisp recording comes at a price.

  • Five Tips on How to Buy Professional Camera Batteries

    For someone who wants professional batteries, there are varying features and aspects of the product to consider. Also, be sure about the reliability of a camera storage battery for professional use.

    Buy Professional Camera Batteries

    Know that the most common type are Lithium and will usually work for any professional camera battery needs. They are very light, have multiple recharging capabilities for camera storage, and are high voltage compared to other types of batteries.

    Here a few tips to buy the right batteries for your camera:

    Define Your Professional Camera Battery Use

    You need to keep in mind how you will be using your camera as a professional. An amateur photographer using their camera strictly as a hobby does not have need for features like a camera storage battery with optimal space. You may need to discuss this with an expert camera dealer who can determine what type of batteries will work best for your needs. You can find these dealers in your local area simply through Google search and take a look at some of their reviews.

    Cell Balance

    Ask your dealer about which battery manufacturers purchase their batteries directly from the cell maker. This is important to alleviate the effects of imbalanced cells on the quality of the photography that you produce.


    Most of the name brands like Sony, LG, and Samsung offer high-quality professional camera batteries with a storage battery that has cell longevity. When you shop, look for information on the manufacturer’s package about the cell maker. If they offer this information, they have credibility for offering a reliable storage battery for professional use.

    Primary vs Secondary Batteries

    You may not have enough knowledge about a camera’s storage battery or how to buy professional batteries for your device to ask this question but talk to your chosen dealer about using primary or secondary batteries. If you will be using a digital camera and flash guns, you will probably need rechargeable batteries which are secondary. You will save yourself a lot of money in the long-term use of professional batteries of you consider this.


    As we all know as consumers, even the best products can fail. So it is extremely important to know the warranty of your professional camera batteries. Oftentimes, there is also a separate warrant just for the camera’s battery if it is a separately purchased product. The type of warranty can also tell you immediately if a manufacturer has a high level of confidence in their product. If a professional camera battery has a warranty of fewer than 12 months, you would be wise to consider other products.

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