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Broadcast Equipment Blog | 3D Broadcast Sales

  • Buy Lens Mount Adapters: The Complete Guide

    Once a photographer or cameraman comprehends lens adapters and lens mount adapters in general, it’s vital to know why they are required. Here are a few reasons photographers and camera operators use lens and mount adapters.

    Upgrading a Camera

    When upgrading to a fresher or more innovative camera within the same brand, you should be aware that camera makers do occasionally change the mounting systems they use for their lenses, so using older lenses with the fresh camera may necessitate the use of an adapter.

    Buy Lens Mount Adapters

    Swapping to a Camera from a Different company

    If a photographer has been shooting with a Canon for years and then switches to a Nikon, the lenses that were bought for the original camera will not be compatible with the next. This is because every camera brand has slightly changed specs, and obviously, firms make lenses that fit their own gear. Not only may the mounting arrangements be dissimilar, but the actual lens sizes will probably differ as well.

    Using Cheaper Lenses

    A photographer who is trying to be economical may want to capitalise on a top of the range camera but may not then have the extra cash to buy a group of new lenses from the same firm. Such a person might then be drawn in purchasing new or used lenses from other lens producers, which will probably not be compatible with the camera. A lens plus an adapter may, in many cases, cost less than acquiring the matching brand of lens.

    Trying out Macro Photography

    Macro photography is the art of taking extreme close-ups pictures of very small things so that the photo images are many times larger than real size. Instances of subjects are things like insects, plants, and anything else nature has to offer. Distinct macro lenses are fashioned for this purpose, and an adapter may be required if the lens, as mentioned, is made by a different company than the camera itself. However, a cheap trick is to invert the prime lens on the camera by mounting it back to front, which will let you to try some macro photography without having to splash out on an additional lens that may not get a lot of use anyway. While the reverse mounting method will not give the same results as a specialized macro lens, it is suitable for experimentation at least. To do a reverse mount, an adapter will be needed of course.

    Another valuable adapter for reverse-mount macro photography is a one that allows a filter to be screwed onto the inside of the lens (which is now actually the outside instead). This is occasionally called a bayonet-to-standard thread adapter. Since exposing the inside of the lens will make it susceptible to getting dirty, which can really impact the quality the images you create, it’s a good idea to attach a cheaper protective filter, such as a UV one, for the sole reason of protection.

  • Buy Camera Adapters To Make Your Camera Rig More Flexible

    Do you want to make your camera rig even more flexible? Lens adapters can open your world up to a range of possibilities, it doesn’t matter if the glass you’re after is strange, traditional, or just no longer built anymore. These magical camera adapters can make camany lenses fit on cameras they weren’t assembled for.

    Lens adapters allow you to use an assortment of great alternative lenses—including some truly unusual optics and some classics that are so incomparable that you may wonder why they aren’t still manufactured. Although the lenses made for your camera may be great, having choices is nice.

    buy camera adapters

    Not every lens is adaptable to each camera arrangement. Generally, adapters are made for use with older lenses that have physical aperture rings, which must be changed by the user. Many modern lenses, have electronic aperture manipulation that won’t work on other cameras. Adapter producers have worked around this conundrum by incorporating a physical actuator for the lens aperture built into the adapter. You still have to physically set the aperture, only by adjusting the adapter, and not the lens itself.

    Pros and Cons

    Since adapted lenses cancel our many of the camera’s automatic features, they slow you down and consequently may not be appropriate for certain uses, such as sports and wildlife photography. But then again, landscapes, architecture, and other specialities that don’t rely heavily on autofocus are well-suited to altered lenses.

    Given the clear problems involved with adapting alternate lenses, and the readily available high-quality lenses for current camera arrangements, why should you then use alternative lenses with adapters? Some of these reasons include:

    Price: Alternate lenses can be inexpensive compared to their unadapted counterparts, occasionally notably so as well. Many are out of production now, but even so, they are still readily obtainable second hand for a reasonable price.

    Quality: Don’t accept as true that your camera manufacturers lenses are the best money can buy. In fact, there are plenty of other lenses that may be better to unadapted lenses too.

    Gap-filling: Even though the lenses for camera systems are fairly extensive in number, sometimes they have holes in the series. Other lenses frequently fill these gaps, particularly for specific uses at times.

    Brand change: If you’ve changed camera systems, but would hate to drop your collection of ‘exclusive’ lenses from your old gear, you might be able to use an adapter and keep using them. This is true when changing between manufacturers (such as from Nikon to Canon) or from some systems within the same brand on occasion. You might not want to give up some of your favourite classic lenses, and these adapters will make it possible to keep on using them.

  • The Best Features On Sony Latest Generation Of Camcorders

    Sony’s new 4k camcorders really do show off the latest and greatest features any discerning videographer could want from a workhorse camera they need and rely on to capture those moments in glorious 4k and without much notice needed either.

    Go beyond Full HD with 4K

    Meet the camcorders that offers some the best 4K recording. Shoot video that shows over 8 million pixels (3840 x 2160), which is four times the resolution of Full HD—and capture moments in unrivalled, accurate detail that erupts with vivid colour.

    Sony Camcorder

    XAVC S recording format

    Derived from a professional-quality recording format, XAVC S compresses the video (via MPEG-4 AVC/H.264) and the audio (via PCM) of your footage before saving them as an .MP4 file. XAVC S also lets you capture footage at the high bitrate of 50 Mbps, when truly enhances the level of detail normally associated with Full HD footage while still dropping the properties of compression noise.

    Effortless playback over HDMI

    Connect the Camcorders to a 4K monitor or TV using the 4K-ready HDMI cable, and start viewing your movies in breath-taking detail. You can still easily view the footage on a standard Full HD 1080p TV as well by simply changing the output settings to 1920 x 1080, and carrying on.

    XQD media cards

    The two XQD card slots, which are compatible with S- and N-Series XQD cards, give users smooth, high read and write speeds for 4K video. Users also have the option to switch to relay recording, so you can shoot for much longer without having to worry about one of your cards filing up. Video and sound may be cut briefly in the relay recording process, so do bare this in mind when you resume shooting.

    Creative control with ASSIGN buttons

    As an example, the seven on-camera ASSIGN buttons on-board the Sony FDR-AX1are intended for quick, easy navigation between camera setting profiles. Assign specific functions such as Markers, Zebra, Focus Peaking, Focus Magnifier, Auto Exposure Level, SteadyShot, Colour Bars, Rec Lamp [F], Rec Lamp [R], and Thumbnail to an ASSIGN button to find a sleek profile that works best for you when you need a quick shortcut to something specific.

    XLR sound terminals

    Unrivalled video from a 4k camcorder deserves the same results from the sound department too. So in addition to the premium-quality internal microphone, two external XLR terminals are also included to allow connection to exterior high-performance professional microphones if needed.

  • 10 Killer Camera Hacks For Fantastic Pictures

    Get comfy with close-ups

    If you feel like your pictures don’t have any pop to them, take a step or two towards your subject. Fill up the frame with your subject and see how superior your photo will look with less space wasted. Getting closer to your subject also reveals their facial expressions more too, which can tell a story.

    Professional Camera

    Capture something every day

    The greatest way to improve your skills is to practice. So shoot as often as you can, it doesn’t really matter what the subject is either. As your technical skills progress over time, your ability to tell decent stories with them will increase too. Don’t worry so much about creating a shooting style too early on either as it’ll emerge by itself in time and it’ll be much more authentic too.

    Use your available light effectively

    Before you put the camera up to your eye, firstly see where the light is originating, and use it to your advantage. How can you use it to make your photos better? How is the light engaging with the scene and the subject? Is it emphasising an area or casting thought-provoking shadows? These are all things you can exploit to make an ordinary photo astonishing.

    ISO

    There are a few questions to ask yourself when deciding what ISO to go with, such as…

    What time of day are you taking the shot? If you are shooting outside at midday, you’ll need to use a lower ISO such as 100 or 200. If you are shooting at night time without a tripod or other equipment then you’ll need to increase the ISO to quite a higher number to be able to record the light on the camera’s sensor, so be aware of your cameras high ISO capabilities.

    Do you want a sharper picture or an image with more movement? Using a higher shutter speed to capture quick movement might mean that you need to use a higher ISO to compensate. Similarly, if you’re using a slow shutter speed to capture some motion blur then you’ll need a much lower ISO instead.

    Invest in some books before you splash out on extra gear.

    Having pricey camera gear doesn’t always mean that you’ll take great pictures. Some amazing shots can be taken with just a phone these days, so you need to take the time to understand this amazing specialist tool you have in your hands. Then you can wipe the floor with the seemingly amazing pictures taken by phone users who fancy themselves as pros. By studying what the actual pros methods are via some decent books, not only will you get some inspiration, but you’ll come away with even more to expand your own photos.

    Read the manual

    The best way to get to know your camera to actually sit down and read the manual. So many people miss this really vital step on their path. Cameras are diverse, none are alike, so by reading the manual you’ll get to know all the quirks and shortcuts so nothing stands in your way.

  • 5 Things You Need To Know About The New Inogeni Converters

    Inogeni’s video converters are the most easy and dependable tool for the concurrent capture of uncompressed video streams with audio from your HDMI/DVI/VGA or CVBS sources for your PC for either recording, videoconferencing, lecture capture and streaming methods. No driver installation is needed and it’ll work on all motherboards with USB 3.0 chipsets.

    Video Broadcast Equipment

    They’re Effortless to Use

    It’s probably the most practical uncompressed 1080p and 4K video capture and streaming answer. Smooth camera connection for video-conferencing and streaming apps like: Skype®, Lync®, Webex®, Zoom®, USTREAM®, Livestream®, and Livecast® to name but a few. No driver installation required either as it works just like a webcam does. It also extracts audio from the HDMI signal as well, while being powered solely by any USB 3.0 port. Impressive stuff indeed.

    They’re Simply Simple

    The Inogeni features a simple capture solution for: VLC, QuickTime, FFmpeg, Adobe Live Encoder to name but a few. Sophisticated video processing: up/down scaling and frame rate adaptation.

    Flexible Compatibility

    You can check the apps tested with it on their website. The Inogeni converters are compatible with all USB 3.0 host chipsets and motherboards. All OS's supported are supported too, including: Windows, OS X, Linux and Android. It runs with all media capture and streaming applications too. It also compatible with UVC, DirectShow, V4L2, QuickTime & AVFoundation so you really can’t go wrong.

    Dependable

    Solid and rugged professional-grade full metal enclosure. Field upgradeable firmware. Designed, fabricated, and expertly supported in Canada. Also comes with a 2-year warranty.

    Engineered by video professionals, this video broadcast equipment for professionals, it is the most compatible USB 3.0 device across most OSes and USB 3.0 chipsets. Remember that there’s no driver installation so you’ll have trouble-free operation, just Plug and Play! Also remember that since the list of features and software/hardware compatibilities is ever increasing, please see their website for the latest information.

  • Professional Camera Equipment: Discovering The New Tiffen PRO100 Series Of Filters

    Tiffen is bringing their prize winning Motion Picture and TV industry filters to photographers and videographers around the world with their brand new Pro 100 Series Filter gear. The adapter set attaches to your lens via the standard filter ring and then it allows you to use one or two of Tiffen’s MPTV 4x4 or 5x5 filters.

    Professional Camera Equipment

    Made precisely to work with Tiffen’s MPTV filters, the edge is sealed to stop any light spill, plus you can fully rotate it too. Tiffen says that the Pro 100 system will also come in two and three filter kit possibilities, allowing for photographers and videographers to make use of an assortment of filters for whatever their needs may be. The standards default filter size will be 77mm, but other ones ranging from 49-82mm will also be available.

    Tiffen has also added two originals to their diffusion line of filters, the Antique Pearlescent and the Warm Satin. These were made with 4K material in mind as well. Normally, these filters are intended to soften the skin in the mid tones, and bloom the highlights to give a resemblance to old films with glamorous leading ladies of the black and white era. While some may say that this can all be done in post nowadays thanks to filters in editing and post software, you can save a lot of time by doing it all in-camera especially if you’re on a budget. Plus, doing things the old fashioned way can be an awful lot of fun at times.

    The new filters encompass:

    • Extremely hard-wearing Aluminium Frame, equipped with rubber grips, allowing for a secure fit for the filters.
    • Holds up to two, 4mm thick glass filters
    • Fully rotatable adapter ring
    • Edge sealed to stop light leaks for long exposure photography
    • Works with adapter rings from 49mm-82mm

    3D Broadcast Ltd is a well-established professional broadcast company based at the world famous Pinewood Studios. We have many years of experience selling into the Broadcast and Corporate Market Place. Our Directors Martin Joannou, Paul Raeburn, and Philip O'Marra have created a fantastic reputation within the industry for quality and service too.

    3D Broadcast offers professional, impartial and unbiased advice to help you make the right choice when you need only the very best when it comes to cameras filters and most other gear you’d need on set as well.

  • Teradek Bolt 3000 & 1000 Wireless Transmitters Vs Teradek Bolt 300, 600 & 2000: Which Should You Buy?

    The Teradek Wireless Transmitter range comes with a huge choice of options to suit your needs.

    It’s a wireless transmitting system for HD video signals and its main utility lies in organising a suitable and effective, on-set monitoring scheme, such as a video village. Teradek’s Bolt series can wirelessly communicate a 4:2:2, 1080/60p video signal up to 300 feet for the base model with zero frame delay, which means that all of the noises and interruptions characteristic to a video village can be situated further away from the action.

    Going up the series, the most ground-breaking bolt we sell really transmits up to 3000 feet, which is truly astonishing.

    Teradek Bolt 3000 & 1000 wireless transmitters

    Bolt transmitters come in “unicast” and “multicast” variations. The Bolt Pro is the multicast model, and it allows users to transmit to numerous receivers at the same time, with safe AES 128 encryption. The Bolt Pro also features 3G-SDI connectivity with loop-through and an internal, rechargeable Li-ion battery with enough volume for roughly 60 minutes of run time. Both the Bolt Pro and the Bolt (unicast) sport a 6-28V LEMO DC input for linking an external power source. Bolt transmitters are also encased in a shaped aluminium enclosure, and the Bolt receiver is contained in ABS plastic. Additionally, a number of 1/4”-20 threaded holes deliver several mounting points for attaching the transmitter or receiver to a support system. In spite of its rigorous build quality, the Bolt transmitter weighs in at roughly 200 grams.

    The Bolt receiver has dual 3G/HD/SD-SDI outputs for either a two-monitor arrangement or one monitor and a Teradek Cube or Brik. Compatibility with Brik and Cube encoders lets the Bolt stream to an iOS device or another delivery network of your choosing over either HLS, ZiXi, RTMP, RTP, RTSP or MPEG-TS protocols. WSDI Pro technology allows the Bolt system to fine-tune frequency bands in real time, which allows the arrangement to harmonise with Wi-Fi and 5 GHz devices.

  • Best Professional Camera To Buy? Discovering The New Canon 5D Mark IV Camera

    The Canon EOS 5D series is probably one of the most identifiable series of cameras since the advent of digital cameras came about for professionals. This time the Mark IV is intended to appeal to the similar wide range of both photo buffs and professionals. It looks almost identical to its predecessor, but if it ain’t broke don’t fix it right? The camera receives substantial upgrades on the inside, counting: a higher-res sensor with Dual Pixel autofocus, 4K video, an advanced AF system, a touchscreen, better-quality weather-sealing, built-in Wi-Fi/NFC, an intervalometre and GPS. All this adds up to a camera that fits into Canon's product line suitably as the versatile full-frame choice.

    professional cameras

    It is constructed around the new 30.4MP CMOS sensor and uses the Digic 6+ processor. The AF system is straight from the flagship 1D X Mark II and embraces a whopping 61 AF points (41 of which are cross-type) with up to 24% extended vertical coverage when compared to the Mark III. The centre point is also sensitive to -3EV in One Shot mode, plus in live view, it’s sensitive to -4EV if you have a fast lens handy.

    4K video capture is a very welcome and very wanted extra and operators can capture in either 24 or 30p, although with a 1.64x crop. All footage is captured as Motion JPEG too. Furthermore, the camera lets you take 4K Frame Grabs, which basically gives you 30 fps stills shooting with (Dual Pixel) AF. The helpfulness of this may be contingent on how well-controlled the camera's rolling shutter is, and how satisfied you are with 8.8MP JPEGs in the 17:9 ratio, but it’s really remarkable how effective 4K/60p video capture is on the 1D X II for getting that critical moment captured.

    While conjuring up the Mark IV, Canon says it trawled forums and professional opinions from 5D-series operators and found that dynamic range, resolution, auto-focus precision and speed were at the top of the request list. On paper anyway, the Mark IV seems to address these users’ needs quite nicely:

    Canon 5D Mark IV Key Specs

    • New 30.4MP CMOS full-frame sensor with Dual Pixel AF
    • DCI 4K 30/24p video using Motion JPEG + 4K Frame Grab
    • 61-point AF system with 41 cross-type sensors (centre point sensitive to -3 EV)
    • Dual Pixel AF (sensitive to -4EV) for continuous Servo AF in stills (first for a full-frame Canon camera) and video
    • ISO 100-32000 (expandable to 102400)
    • 7 fps continuous shooting
    • Dual Pixel Raw (with image micro adjustment, bokeh shift, and ghosting reduction)
    • 150,000-pixel RGB+IR metering sensor
    • 1.62M-dot 3.2" full-time touchscreen
    • Wi-Fi w/ NFC + GPS
    • Built-in bulb timer interval timers

    Improved weather-sealing

  • Find The Best Panasonic Camcorder: The Ultimate Guide

    Pro-quality video, for everybody.

    Whether you're a budding film maker, a knowledgeable videographer, a family person, these full-featured Panasonic camcorders make it easy to capture and share stunning video wherever you want, whether it’s on holiday or on a job. Common advanced features like image stabilization, WiFi/NFC and 4K Photo Mode make unforgettable images effortless to get.

    Panasonic AG-UX90 UX Series 25P Ultra Camcorder

    1

    With a snowballing demand for 4K video content, Panasonic is presenting the UX series to make 4K procurement even more reachable to video professionals. UX camcorders will deliver high-mobility shooting and workflow equal to our existing professionalintegrated-lens handhelds.

    AG-DVX200 4/3-type Fixed Lens 4K Camcorder

    2Following the breakthrough AG-DVX100, the new AG-DVX200 unveils itself as the world’s first1 4/3-type large format, 4K/60p (Using SDXC/SDHC Memory Cards compatible with UHS Speed Class 3 (U3) when utilising high bitrate recording mode of 100 Mbps or more) camcorder to sport an unified zoom lens too.

    Panasonic AJ-AC30 Lightweight 50Mb/s HD Camcorder with Built-in LED Light

    3The AG-AC30 is a handheld camcorder with excellent low-light features and many other professional features and tools, allowing the user to record gorgeous zoom shots and even big groups thanks to its wide focal range (zoom 20x and 29.5 mm wide angle).

    Its LED video light with 2 light filters contained within permits dependable shooting even in night scenes and dark location as the colour change filter adapts colour temperature while the diffusion filter softens the light source.

     Panasonic AG-AC90A Entry Level 3MOS Full HD AVCCAM

    4Panasonic AG-AC90A AVCCAM unites high image quality, innovative functions and effortless operation that professionals mandate in a sophisticated, easy-to-handle design. The 12x optical zoom begins at 29.8mm and ends at 383.7mm at the limit of its zoom range. The camera sports a high speed F1.5, BI (back-illuminated sensor) type 3MOS image sensors giving you Full-HD resolution. In addition to the high-quality pro PS/PH mode (1920 x 1080) recording, the AG-AC90A also supports PM mode (1280 x 720) and low-bit-rate CS mode (720 x 576) for distribution over a network if need be too.

    Panasonic AJ-PX270 AVC ULTRA Camcorder

    5The AJ-PX230 is an exceptional new model camcorder with a tremendously high cost to performance ratio.
    It sports a commanding CAM-type 22x zoom lens with a trio of manual rings, a 600% dynamic range with 1/3-type 3MOS (RGB) image sensors, and AVC-ULTRA* multi-codec capturing, including the high-quality AVC-Intra200 codec, all within an easy-to-operate, professional camera shape.

    As the last word in handheld camcorders, the AJ-PX230 offers high-quality recording for a multitude of uses, from ENG to video production.

     

  • 5 tips for using professional camcorders and shoot stunning videos

    Anybody can capture videos, but not everybody can capture appealing ones. Also, while some accept that recording good material is only attainable with quality gear, the fact is, this is only half of the equation.

    5 tips for using professional camcorders

    Getting great video requires training and lots of practice, and even top equipment, such as a professional camcorder, won’t do you any good if you don’t refine your skills, so here are some tips on how you can shoot gripping videos from now on.

    Although the basics always tell you to fill the frame with the subject, you shouldn’t be too scared of placing them a little off-centre. For example, when capturing kids who are moving around at the speed of light anyway, film them slightly to the right or left of the centre while they’re doing whatever they’re doing to make the shot more interesting visually.

    Overdoing the zoom is a widespread habit among new videographers, and this can result in amateur-looking material. It can also make people dizzy too, so should there need to be any zooming in, do so gradually and steadily, and don’t abruptly zoom out either. Furthermore, you may want to avoid of digital zoom as well, as all it does is blow up the footage so it will probably pixelate. Optical zooming is always better, since they offer superior video quality.

    Wide, all-encompassing shots are often used to determine the location of the footage, but you should use them economically. After such a shot, get down to the details. Start concentrating on the little details to build relationship with the viewer and pique their curiosity.

    Use numerous vantage points. For example, when documenting a football match from up in the nosebleeds, the subsequent footage might end up being a tedious to watch, they want to see the action. However, a video captured from diverse points in the stadium amplifies the production quality and drama of your footage because of the combination of shots.

    Shoot only the important moments, if you need to shoot sparingly, unless you have decent batteries and a patient editor. Go ahead and capture the entirety of that wedding if you can edit it down easily afterwards. If you can’t then stick to those obvious big moments throughout the day.

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