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Broadcast Equipment Blog | 3D Broadcast Sales

Equipment reviews, news and tips

  • Where To Find The Best Second-Hand Broadcast Equipment

    When it comes to getting quality broadcasting equipment, you may be tempted to go with traditional resources. In the past, you could get away with going to some locations around town, or even an auction based website. But that's no longer going to help you get the right kind of equipment.

    You see, many people are selling knock off items, and are not going to give you the best used broadcast camera. They will sell you items that are broken, or need parts, and that can be frustrating. Where do you find the best equipment today? Without breaking the bank? Well, it all starts with a few quick tips on what you need, and then going through finding the right resource for those items.

     Why Used and Not New?

    Before getting into the right choice, you should first know that used is not a bad word. You may run into some people that have this idea that anything that has been used before is not going to be as good as new. That's not the case. Many times, productions don't need all of the equipment that they've purchased, or used during a set.

    Used Broadcast Equipment

    Afterwards, they liquidate their items, or they sell them off to others. You will find that many used items are in great shape and could very well last you a good deal of time. Don't let yourself lose sight of that notion.

     Don't Waste Your Time With Thrift or Auctions

    You may be tempted to look into used broadcast camera online through auction sites, or in person at thrift stores and yard sales. Don't waste your time. Auctions are not going to give you the same kind of quality as you may expect. Furthermore, with shipping, fees, and more, you could end up spending nearly tripe for used items. The same goes for thrift stores and other locales that sell used items. These are not going to pay off dividends.

    In fact, you're going to be at the mercy of the store, as they will not know what they have, and most often will not treat things right. Why risk buying broken items? Think about that for a moment. Simply put, the most "obvious" of solutions for buying used electronics, will not help you out with the purchase of broadcast equipment.

     The Best Option Today

    Look, you need the "right" equipment. You don't want to mess around with items that are not meant for broadcast quality recordings, whether it's audio or video. To find the "right" and best used broadcast camera, you will want to go with a trusted resource. That's where 3dbroadcastsales.com comes into play. The company is a trusted resource in the world of broadcast equipment, and will give you a fair price for items that are in fact in good working order. They are tested, and will give you the right progression for your next production.

    Whether you're doing something with a large budget, or something with a modest budget, you'll find that getting used, second hand equipment is worth investigating. Check out a trusted source, and don't waste your time looking at other solutions.

  • Tips to Use Professional Camcorders

    5 Great Techniques for Creative Camcorder Usage

    Introduction

    It is not enough to point and shoot these days. Anyone can do this. Using a professional camcorder takes inventiveness and creativity. You really have to be a step above the crowd to make the shot count. You have to find the shot no one else is getting and use it. This requires some "out of the box" thinking". This requires using some good-quality professional camcorders to get the footage, not the sub-par quality cheaper brands available to you now.

     Professional Camcorders
    Here are 5 ways to get the most out of your professional camcorders.

    1) You do not always have to place your professional camcorders on the shoulder. Not everyone has to know how tall you are. Professional camcorder footage needs some low angle shots. These shots show the viewer a bigger than life storyline. You can also get some high angle shots. These shots show the world a bird's eye view of what is happening. The eye level is not going to give you the greatest footage all the time.

    2) This is your chance to capture footage you may not be able to get otherwise. It is not just about the ordinary shots anymore. Capture some footage of a person getting some food from the fridge. You will be surprised at the type of footage you can get from the perspective of a hungry person.

    3) Use a soft focus more. This will give you a chance to capture different perspectives and elements. This can be done by boosting the shutter speed and opening up the iris. Are you shooting something long distance? Why not put something nearest to you in front of the lens. This will give you a unique perspective on both the near and far items.

    4) Try to compress the distance. You can also try to expand on the distance you are using. Say you are shooting something from a distance. Try using a telephoto lens. The background is going to appear so much closer than it is. Your background will appear to be so much closer to the far-away subject, closer than it is. Want to do the opposite. Use your zoom and go out to a wide-angle setting. Begin shooting at a closer range. The background is going to appear to be much farther away.

    5) One final thing you can do is try shooting through something. Take a subject and get it to frame through a keyhole. You can do the same by using an archway. You can use a mirror. Use a rear-view mirror to make it happen more accurately. This way you can find something natural each time you look around.

    The best shots are the ones you make up. The best shots are the ones no one else has thought of. Be inventive. Be imaginative. Your camcorder will do the rest.

  • Buy Professional Cameras: The New Ursa Mini Pro 4.6k Camera

    Blackmagic Design announced at the beginning of March that the URSA Mini Pro 4.6K, a new professional camera that unites high end digital film quality with the ergonomics and characteristics of a traditional broadcast camera. URSA Mini Pro features a huge number of tangible control buttons, switches and dials that make it much quicker to use, built in optical ND filters, a new substitutable lens mount, dual CFAST 2.0 and dual SD/UHS-II card recorders, and a lot more.

    The URSA Mini Pro 4.6K is available now for £5,190.00 from us here at 3D Broadcast, plus if you own a Blackmagic URSA 4K or 4.6K Camera, upgrade this to the New URSA Mini Pro for only £3,432.00

    The new URSA Mini Pro unites the finest digital film technology with the most forward-thinking broadcast features and ergonomics accessible today, making it perfect for use in high end feature motion picture, TV shows, advertisements, and indie flicks, as well as broadcast news, studio and even live multi camera production.

    Buy Professional Cameras

    The URSA Mini Pro Professional Camera is intended to be the hardest and most fully featured camera in existence. It includes everything clients need in a solid, compact handheld magnesium alloy body that’s hard-wearing and light enough to use wherever. There’s a peripheral high visibility LCD status display for looking up critical shooting data, a foldout touch screen for studying shots without needing an extra on-set monitor, specialised connections such as 12G-SDI, XLR audio, and built in top quality stereo mics too. Plus, every single control on the camera had a redundancy feature, including the power, so if anything should go wrong on a shoot, the camera can still be used.

    When it comes to image quality, URSA Mini Pro features a custom 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range and a super wide colour gamut. Third generation Blackmagic Design colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and an enormous amount of dynamic range. URSA Mini Pro is ideal for everything from standard rec. 709 broadcast HD to the latest rec. 2020 high dynamic range digital film production.

  • What Is The Best Professional Video Camera To Buy in 2017?

    Growing on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera is a brilliantly flexible 4K camera setup. Intended as a camera that is at home on productions as diverse as any form of film, documentary, advertisement, or corporate application. It sports a Super 35mm sized sensor that lets you to capture images with a cinematic depth of field. The camera integrates a stronger locking E-mount that is fully fitting with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses counting PL, EF, Leica, and Nikon via adapters too. This stronger E-mount is perfect for using heftier cine-zooms without the need for added lens support.

    Behind the lens mount there sits an electronic variable ND filter system that provides a clear filter and 3 user-defined presets as well. The variable ND can be attuned to deliver between 2 and 7 stops of ND. The camera can also capture footage to discretionary on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.

    Professional Video Camera To Buy

    The camera captures footage in either XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording doesn’t support the high data rates the camera is capable of producing when shooting in UHD, and is limited to recording in HD video only. The camera includes Dual XQD media card slots that support concurrent or relay recording. An ergonomically designed handgrip delivers control of many of the camera's functions and features an adjustable length support arm too.

    So, to sum up most of its features briefly, the 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide colour gamut as well. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes with two options, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. Now the XAVC intra compression is very effective and exceedingly efficient, recording at lower bit rates, while the XAVC Long option also significantly extends the recording time while achieving very high quality and low noise.

  • Why buy a camera adapter?

    Creative thinkers love flexibility, and photographers and videographers are definitely no exception. Over time, both amateurs and experts alike tend to accumulate a remarkable gathering of gear. What happens when you unavoidably come across a gorgeous lens that isn’t compatible with your camera system? A camera lens adapter can come to the rescue.

     

    camera adapter

    Lens adapters are an honestly modest idea. A fitted, threaded ring lets you attach the specific make or type of lens you’d like to use on your own camera body, linking two otherwise mismatched lenses. This opens up an entire new world of potential for some photographers and videographers whose loner lenses have sat too long gathering dust on the shelf. Others, instead of depending on the “best” glass each precise manufacturer has to offer, choose to use the best of the whole marketplace. Also, it’s an easy way to fill in the holes of a collection when your camera firm might not sell the type of specialty lens you require. Plus, it can be a cost-effective way to enlarge your kit, with some older or substitute lenses being significantly cheaper, (even with the added expenditure of the adapter itself) rather than buying a new, high-end type.

    Adapters can link formats, not just systems, and allow the pathways between full-frame, APS-C, Micro 4/3, and large or medium format to join together. It’s suggested that it’s much more practical to “adapt down” by using a bigger format lens on a smaller format camera. Some photographers change camera systems halfway through their career and would hate to see thousands of pounds spent on lenses go to pot. While not every lens is malleable to every camera brand (Nikon cameras can be fiddly to use with substitute lenses, while the Sony NEX cameras are flexible to adopt nearly any lens), these little metal rings can often be a godsend.

    The chief downside of adapters is their mechanical nature. With the bulk of available adapters, no electronic signal is able to pass between the lens and the camera. This means that autofocus, AE metering, and other functions reliant on this contact will be rendered unusable. Some current adapters do include a built-in chip that can alert you with a beep or icon in the viewfinder when you hit critical focus. Either way, adapters generally require that you focus and set your exposures manually.

  • The Best 4K Professional Camcorders Available In 2017

    Panasonic Hc-X1000 4K Camcorder Panasonic Hc-X1000 4K Camcorder Those who wish to make the move to 4K will find the HC-X1000 by Panasonic a respectable choice of camera. With a set of appetising features and the capability of recording 4K ultra HD at 60p onto an SD card, this device not only gives high-quality quality output, but value for money as well. Panasonic AG DVX200 4K Pro Camcorder Panasonic AG DVX200 4K Pro Camcorder The AG DVX200 is the newest 4k professional camcorder to be unveiled by Panasonic. The main selling point for this camera is the fact that it has a 4/3 Sensor and does very well in low light situations. Sony PXW-Z150 XDCAM CamcorderSony PXW-Z150 XDCAM Camcorder   The PXW-Z150 is something that every videographer should look into. With its dense, lightweight design and commanding features, it effortlessly gives users huge value for money while letting them capture the best possible video. JVC HM-200 4K Camcorder JVC HM-200 4K Camcorder The latest 4K Camcorder to come out is from JVC. The HM-200 has been unveiled alongside the HM-170. The GY-HM200 has XLR inputs and the related features while the GY-HM170 does not, so you have options if audio if unnecessary. The GY HM-200 is a great 4K camera and it has been valued a slightly less than many of Sony’s offerings with a similar spec.  JVC GY-HMQ10U 4K Camcorder JVC GY-HMQ10U 4K Camcorder JVC’s GY-HMQ10U 4K Compact Camcorder is one that is most recognised for its high-speed processor that caters for very advanced video applications. This camcorder is armed with a CMOS 4K Sensor as well, indispensable for capturing videos at the resolution needed. Due to its single sensor sensitivity, it works remarkably well over different lighting situations too. The GYHMQ10U also utilises 4K progressive recording in MPEG 4/H.264 format at 144 Mbps. BlackMagic Ursa 4K Camcorder BlackMagic Ursa 4K Camcorder The Ursa from Black Magic Design is the most up-to-date 4K camera to make its entrance into the 4K Camcorder market. It sports a 10″ monitor and dual 5″ monitors for critical control and comprehensive feedback. The wide dynamic range is way above much of the rival firm’s offerings too. This camera is sure to deliver 4K footage that is up there with the best you can produce today. With the release of the Ursa Broadcast camera model coming out very soon, Blackmagic look set to push the 4K boundaries and make the competition sit up and take notice.

  • Buy Professional Camera Bags For Pros And Amateurs Tips

    Being a great videographer means being able to shoot on the move, so you never want to get stuck without an important piece of gear when it’s time to start filming. Whether you’re an amateur or an experienced pro, here are five indispensable items you should always have in your professional camera bag to help you avoid any slip-ups.

    Buy Professional Camera Bags

    gear1. Charged Extra Batteries. We all know that video requires a lot of battery power. Always be sure to buy extra batteries, and have them charged before each shoot. This not only counts for replacements for the dead ones, but also some much-needed help should any batteries breakdown. Extra juice brings peace of mind too, so you’ll be more at ease without having to worry about anything blinking red icons on your screen.

    2. Cleaning kit Camera lenses can repeatedly cost more than the camera body itself, so every videographer needs a class cleaning kit to preserve their lens. Investing in this is tremendously sensible, as it can save you a lot of cash if the lens ever needs servicing in its lifetime.

    Make sure your camera bag is also full of these: A blower, to safely blast away dust and dirt, a microfiber cloth (don’t use paper towels, or your shirt), and finally lens cleaning fluid, which is great for eliminating fingerprints and smudges from the lens and filters.

    3. UV filter Another way of keeping your camera lens spotless and guarded is to get a UV filter. UV filters are not only great for sifting out UV light, but also for avoiding dirt and dust from getting on your camera lens. They can even deliver some protection from impact if the worst ever happens. You should use your cleaning kit before every shoot to keep the filter in good condition.

    4. Tripod To generate a truly movielike shot, every videographer needs a good tripod. It’s a crucial piece of gear when creating a stable shot. The tripod will help you in keeping the image looking sharp, enhancing the depth of field, and allowing you to pan and tilt when filming as well.

    5. Reflector On many open-air shoots, you might not have the assistants around to carry all your lights with you, so this is where a reflector really comes in handy. They are relatively cheap, light, and don’t take up much room either, as they can be normally be folded up into your professional camera bag. Your reflector can be applied to bounce any existing light onto a subject that would otherwise be in shadow or darkness.

  • Buy Professional Camcorders Guide: The Best 2017 Models

    If you are looking for the best professional production quality video cameras, then this is the one list you’ve been looking for.one list you’ve been looking for.

    Sony PMW-300 One XDCAM, The greatest in HD today

    Sony PMW-300 One XDCAM, The greatest in HD todayOne of Sony’s latest professional camcorders is listed first in our top five. This camera is appropriate for a wide range of applications and is already proving itself out in the field. The PMW-300 has an EX mount lens system that is compatible with 1/2″ & 2/3″ lenses. This is the first semi-shoulder mount camera to use both a 1/2″ sensor along with 50MPS recording ability. The Sony PMW range is perfect if you want a camera that is appropriate for both shoulder mounting and normal ENG purposes. This is the heir to the EX3 from Sony and they really have taken things to the next level this time.

     

    JVC GY -HM650 / HM600 The Portable News Expert

    jvc gy -hm650 - hm600 The Portable News ExpertThis is a next-generation hand-held professional HD camcorder that promises delivery of excellent images whether it’s for sports, news, or independent productions. It’s light and adaptable, with characteristics intended mainly for the purpose of rapid ENG recording. Connectivity and transmission of files is the key selling point of this camera, as it gives you the ability to upload footage while in the field. This camera is operated by the BBC and is accepted for broadcast production.

     

    Panasonic AG-HPX250 – Panasonic’s Star

    Panasonic AG-HPX250 – Panasonic’s StarIf you’re considering purchasing one of the finest camcorders on the market today, contemplate the Panasonic HPX250. If y
    ou take a look at its spectacular features and abilities, you’ll find out it’s so popular. The HPX 250 does really well in low light situations and has much better image quality. This is one of the best video cameras created by Panasonic and has been one of their best sellers over the past year as well.

     

    Canon XF200/ 205 – the Latest Pro Performance

    Canon XF200/ 205 – the Latest Pro PerformanceThe Canon XF200/XF205 is the latest pro camcorder from Canon. It has been in the works for a long time, but it’s finally arrived. This beauty is able to record in MXF format, a format used by professional broadcasts. This means any material filmed on this piece is good enough for TV. It comes with Ethernet and Wifi which makes file transfers fast and easy as well.

     

    Sony HXR-NX5U NXCAM Professional Video Camcorder

    Sony HXR-NX5U NXCAM Professional Video Camcorder

    This amazing piece of kit is ideal for shooting in low-light conditions as well, giving you stunning shots with great definition too. It also has a tremendously impressive Zeiss lens. Its XLR inputs and custom buttons buttons are diverse and rich with multiple functions. Take a look at some test footage if you can to see why it’s one of the best most trusted professional video cameras in the

  • The New Broadcast Lens Fujinon XK6x20 4K PL 20-120mm Cabrio

    Take a look at our brand new Fujinon XK6x20 4K PL 20-120mm Cabrio Broadcast Lens. It’s just come in, and we’re really thrilled about it.

    XK6x20 is a zoom lens for cinema and broadcast cameras that offers high optical performance compatible with 4K cameras and covers a wide range of focal length from 20mm to 120mm. It also makes available T3.5 brightness in the entire zoom range. There is no T drop and it offers easy operation. Numerous scenes can be shot with this single lens aswell.

    It’s armed with a detachable drive unit for electric zooming and focusing which is a popular feature with current products.

    Fujifilm has publicised that it will release the XK6x20 as a new addition to the line-up of 4K-compatible digital broadcast camera zoom lenses brought out in late June last year. It’s also equipped with a PL mount too, the most prevalent format for broadcast cameras.

    Broadcast Lens

    Recently, the need for using visual content that makes use of shallow depth of field created with high image quality and shallow DOF lenses that are exclusive to cinema and broadcast cameras has amplified for shooting various sections for advertisements, gigs, documentaries and dramas.

    Fujifilm released their Cine Lenses, compatible with digital cinema cameras, back in 2002. Since then, it has given us high-resolution, high-quality lenses for broadcasting customers in various production sites in the cinema and broadcasting businesses.

    Some of the lenses features include:

    • High-precision large-diameter aspherical parts created with cutting-edge optical replication technology. It gives you high optical performance and low distortion compatible with 4K cameras from the centre to the edge of the screen, and delivers presentation comparable to prime lenses for digital cinema camera in the entire zoom range.
    • By integrating the colour temperature of the top tier HK series, and compact and lightweight model ZK series, colour grading is streamlined when using multiple lens models simultaneously.
    • Featuring a Flange Back Focus adjustment mechanism, used in broadcasting lenses, for enhanced mounting with cameras to bring out the full optical performance of the lens.

    Using a 9-blade round iris mechanism to achieve the iris shape as round as possible, enabling natural depth of field in all images created.

  • What Are Broadcast Lenses And What They Can Be Used For

    Firstly, Broadcast Lenses are designed for constant video use of at least 25fps instead of sporadic still picture use from an SLR.  So, the design is much more vigorous since any minor mechanical shifting in the broadcast lens would not be perceived when taking stills but would be possibly unpleasant on a Film or TV clip with constant motion.  The broadcast lenses don’t ‘breath’ (change image size while focussing) or if it’s a zoom lens they won't change focal length if zoomed in or out. The entire interior structure is tremendously well engineered with high quality metal parts intended for a lifetime of professional usage.  The elements are high class, high refraction glass.  The lenses are primarily intended for performance, then price, in that order.

    Broadcast lens 3D Broadcast

    Broadcast lenses are also designed to be focussed manually, and the amount of lens spin per shift in focus is firmly managed.  If an object is moving towards the lens at a measured pace a broadcast lens will attempt to have the focus barrel also move at a constant rate (within reason). Furthermore, a human hand can only turn so far in one rotation during a single shot so a broadcast lens will also have a smaller throw for the focus -- a limitation not required for a stills lens.  A still lens will often have an economically priced autofocus system and a ‘manual’ focus ring which can’t match the speediness and sleekness of a manual follow focus setup specifically for broadcast or cinema use. A broadcast lens with a decent operator can manually focus an unbelievable range at various speeds.  It’s difficult to produce a top-quality focus if you are attempting to focus with an automatic focussing setup via a ring of some sort. Still lenses are intended to quickly focus for still photos only.  In the case of a moving image, you may want to focus at whatever speed is needed.  There is always a messiness which goes with trying to focus moving objects on a non-mechanical setup. The majority of Broadcast lenses are a lot more costly because they are just better constructed and optimized for film or TV work.  Many people use still lenses for budget video purposes though, plus they do work, and are cheaper, though not recommended at all if you have funds more professional gear. You simply have to ask yourself “Is this the right tool for the job if budget allows?”

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