Blackmagic Design URSA Broadcast Studio Kit with Studio Viewfinder and Camera Fibre Converter - CINEURSAMWC4K-STUDIO

£8,070.00 £6,725.00

SKU

CINEURSAMWC4K-STUDIO

URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built-in ND filters, 12-bit Blackmagic RAW, and 10‑bit or 12‑bit ProRes and DNxHD recording. URSA Broadcast features dual SD UHS-II and CFast card slots for non-stop recording. In addition to traditional video shooting mode, extended video mode gives you the dynamic range of digital film in a broadcast friendly format for stunning shots that can go straight to air without needing colour correction. URSA Broadcast is two cameras in one. Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built-in colour corrector!

The Blackmagic Camera Fiber Converter lets you extend and power your URSA Broadcast from up to 2 km away using industry-standard SMPTE fibre cables. It also includes common live camera controls with multiple channels of talkback and standard television industry talkback headset connections. The Blackmagic Camera Fiber Converter features 1 Ultra HD camera feed, plus 3 HD return feeds in a compact IP video based design.

When you’re working live in the studio or out at an event in a large venue such as a stadium, the URSA Studio Viewfinder gives you everything you need to comfortably operate your URSA Mini in live production! The bright 7” screen has a detachable sunshade and includes large handles and an articulated pivot mount that let you position and move the viewfinder independent of the camera! The large rotary control dials and customizable function buttons let you make on the fly adjustments without having to take your eyes off the action! Set up is quick and easy using the included V-Lock plate and it connects directly to the SDI monitor and power output on your URSA Mini, so you don’t need additional cables or power supplies.

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Details

Blackmagic Design URSA Broadcast Studio Kit with Studio Viewfinder and Camera Fibre Converter - CINEURSAMWC4K-STUDIO

FEATURES

4K CMOS Sensor
7-inchStudio Viewfinder
Camera Fibre Converter
Compatible with 2/3" B4 Lenses
UHD 4K and 1080p up to 60 fps
Records to Apple ProRes and Avid DNx
Cinema DNG Raw Recording
2 x UHS-II SD, 2 x CFast 2.0 Slots
3G-SDI and 12G-SDI Outputs
Genlock and Timecode
XLR Inputs and Built-In Microphone

URSA BROADCAST CAMERA

Two Cameras in One

The URSA Broadcast was designed to function equally well as a studio camera or as an ENG/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sledge or be used atop an operator's shoulder, ENG-style.

Standard Media and Formats

Media recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing. You can even record lossless or compressed 12-bit CinemaDNG raw files for high-quality programming and post-production workflows. With dual slots for each media type, URSA Broadcast gives you the option for redundant or relay recording. When the first card is full, recording automatically continues onto the next card, so you can swap one card while continuing recording on the other.

B4 Lens Compatibility

While the 4K sensor used in the URSA Broadcast is larger than the familiar 2/3"-the type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don't need to change lenses or refocus between close-up, medium, and wide shots, which is perfect when you're following the action in fast-paced scenarios.

HD Downscaling

For productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled before recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artefacts will be introduced.

Optical ND Filters

Spin the ND filter wheel to access 1/4, 1/6, and 1/64 ND filters. These filters are designed in accordance with the URSA Broadcast's sensor, ensuring minimal difference in colourimetry. The filters also block IR wavelengths to prevent IR pollution when reducing visible light with NDs. ND filter values can be displayed as either a fraction, ND value, or stop reduction on the LCD or in the separately available EVF.

Body Design

Like traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4" foldout touchscreen for either monitoring or controlling the camera via a software interface that provides full redundancy for all the external controls and camera functions. On the operator's side of the camera, a dedicated backlit LCD shows essential information, such as current shooting frame rate, shutter angle, aperture, white balance, gain, iris, battery level, and audio meters, at a glance. Additionally, full-sized standard connections for audio via XLR connectors, SDI via BNC connectors, and broadcast power input via a standard 4-pin XLR 12V DC connector are available.

Slow Motion Recording

Whether you're shooting a sporting event or breaking news story, the URSA Broadcast has you covered for slow motion. To shoot slow-motion video, the camera records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high-speed frame rate using the camera's on-screen menus, and then switch between standard sync speed and off-speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full resolution Ultra HD at up to 60 frames per second.

Built-In Audio Recording

URSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don't have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder-mounted.

Adaptable for Different Lenses

URSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you're just starting out you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you're ready. Using an EF, PL, or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked-off positions on set, so you don't tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF, and F mounts separately as needed.

Blackmagic OS

URSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work. You can set up the camera, enter metadata, and more. Plus, the software duplicates all the physical buttons and switches on the camera so you get full redundancy. The unique heads-up display puts commonly used functions at your fingertips so you can tap on a control and quickly adjust without having to navigate through complex menus. The digital slate makes entering metadata fast with its built-in dictionary, predictive text entry, and on-screen keyboard.

Flexible Power Options

Right off the bat, the URSA Broadcast features a 4-pin XLR industry standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it's easy to use the camera with existing power supplies and batteries. V-mount and Gold mount battery plates are available separately for compatibility with a wide array of batteries from different manufacturers.

URSA STUDIO VIEWFINDER

Articulating Mount

The URSA Studio Viewfinder is designed to mount on top of your URSA Mini camera. The articulating mount is tension adjustable so you can easily adjust it to the tension that suits you best.

7-inch LCD Viewfinder

Featuring a 1920 x 1080 IPS display, the viewfinder provides sharp, clear images with good off-axis viewing for when sudden camera moves don't allow for screen angle adjustment. It features a detachable sun hood and grabs handles on either side for left or right-handed height adjustment.

Display

Along the top of the screen is displayed your camera number (for multi-camera shoots), the screen resolution, fps, shutter speed, lens iris, camera gain, white balance, and battery power.

Manual Knobs

Three manual control knobs to the right of the LCD view screen allow you to adjust the brightness, contrast, and peaking sensitivity without the need to enter the menu system or take your eyes from the viewfinder.

Peaking is a real-time focus assist tool that superimposes pulsing red lines over the area of your image with the most contrast, and therefore the most focus. This makes it easier to confirm that subjects are in focus.

Menu and Function Buttons

To the left of the view, the screen is a manual menu knob, plus three assignable buttons. The menu knob allows you to navigate the menu, and you can assign functions to the buttons.

Zoom allows you to magnify any portion of the image, useful for checking focus while using the menu knob to select which part of the image is magnified.

Zebra is a real-time digital exposure tool that indicates when subjects or parts of the frame are outside of the exposure threshold. The zebra pattern will appear on the parts of the image that have reached 100% brightness to warn that the area is overexposed and in danger of clipping.

The False Color feature provides an under/over luminance warning by presenting the image as a series of colour values representing exposure.

Red, Blue, or Green Only mode shows the image as monochrome utilizing only the red, blue, or green colour components of the image.

The Histogram overlay provides a graphic depiction of how many pixels in your image are at each level between black and white. This provides exposure information so you can objectively judge how much of your image is clipping, falling into the shadows, or being captured faithfully.

The Luminance waveform provides an objective evaluation of your video signal. It displays the brightness of your image on an IRE scale, allowing you to see if your image will clip and where your black levels are.

Frame Guides

Three customizable frame guide overlays allow you to either create a custom aspect ratio or use it to define areas where graphics will be inserted downstream. Using the guides to approximate downstream graphics allows you to adjust your framing while taking these graphics into account.

Tally

On the talent side of the viewfinder is a tally light with replaceable acetate numbers to identify your camera to the talent or technical director. On the operator side of the viewfinder is a tally light that can light up indicating that the camera is providing the program picture. Please note that tally functionality requires a compatible tally over the SDI connection.

CAMERA FIBRE CONVERTER

The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fibre, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more.

BLACKMAGIC FIBER CONVERTERS

Extend and fully power cameras up to 2 km away using an open standard SMPTE fibre cable

The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fibre optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fibre converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high-end work.

PLACE CAMERAS ANYWHERE

Get cameras much closer to the action

If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes the set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fibre cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fibre is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fibre converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high-end broadcast technology.

SMPTE FIBER FOR INDUSTRIAL STRENGTH AND SAFETY

Built-in multi layer fail safe instantly cuts power to eliminate the danger

Blackmagic fibre converters work with standard SMPTE 311M hybrid electrical and fibre optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2-way fibre pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry-standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or an earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.

ADD STUDIO CAMERA CONTROLS

Transform broadcast cameras into dedicated studio cameras

Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fibre to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras.

10G ETHERNET FOR IP VIDEO

Super fast, low latency ethernet link for video, audio and control

The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fibre connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fibre converters are future proof and ready for customization using high-speed Ethernet infrastructure in future.

DUAL CHANNEL TALKBACK

Two dual channel talkback intercoms with backup

The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fibre link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fibre is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.

DESIGNED FOR HIGH-END BROADCAST

Durable metal design, high-end components and professional connections

The Blackmagic Camera Fiber Converter features an extremely durable all-metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full-size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fibre connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built-in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Specifications

SPECIFICATIONS

Camera Features

Effective Sensor Size 2/3 inch sensor size when using 4K B4 mount

Actual sensor size 23.10mm x 12.99mm

Lens Mount B4 2/3 inch installed

Active EF mount also included

Lens Control Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.

Lens Correction In-camera correction of colour fringing when using compatible broadcast lenses.

Dynamic Range 13 Stops

Dual Native ISO 0dB and 18dB gain.

Sensitivity at 0dB Gain f11 with 2160p59.94.

f12 with 2160p50.

at 2,000 lux with 89.9% reflectance.

additional 1.1 stop light loss using 4K B4 mount.

Signal to Noise Ratio 64.62dB for 2160p

Ultra HD scaled from 5.3K

Built in ND Filters Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.

Focus Focus button turns on peaking, auto focus available using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.

Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.

Screen Dimensions 4 inch

Screen Type LCD capacitive touchscreen.

Controls Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.

ProRes Shooting Resolutions and Frame Rates 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor

3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor

1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor

1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor

1920 x 1080 (HD) up to 50 fps scaled from full sensor

H.265 Shooting Resolutions and Frame Rates 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor

3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor

H.264 Shooting Resolutions and Frame Rates 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor

1920 x 1080 (HD) up to 50 fps scaled from full sensor

Blackmagic RAW Shooting Resolutions and Frame Rates 6144 x 3456 (6K) up to 50 fps

6144 x 2560 (6K 2.4:1) up to 60 fps

5376 x 3024 (5.3K 16:9) up to 60 fps

3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps

3840 x 2160 (Ultra HD) up to 60 fps

1920 x 1080 (HD) up to 150 fps

Project Frame Rates 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.

Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.

Metadata Support Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

Timecode Clock Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

SDI Video Inputs 1

SDI Video Outputs 1

SDI Monitor Outputs 1

SDI Rates 1.5G, 3G, 6G, 12G.

Analog Audio Inputs 2 x XLR switchable between mic, line and AES digital audio. Phantom power support.

Analog Audio Outputs 1 x 3.5mm headphone jack, supports iPhone style headset for talkback.

Reference Inputs Tri-Sync/Black Burst/Timecode.

Lens Control 1 x 12-pin Hirose Broadcast Lens Connector

Remote Control 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.

Computer Interface 1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.

Audio

Microphone Integrated stereo microphone.

Built in Speaker 1 x mono speaker.

Standards

SD Video Standards None

HD Video Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60

Ultra HD Video Standards 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10

SDI Audio Sampling 48 kHz and 24 bit

Media

Media 2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.

Media Format Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).

Please click here for a summary of compatible media.

Supported Codecs

Codecs Apple ProRes 422 HQ,

Apple ProRes 422,

H.265 SDI (10-bit 4:2:2),

H.265 High (10-bit 4:2:0),

H.265 Medium (10-bit 4:2:0),

H.265 Low (10-bit 4:2:0),

H.264 SDI (10-bit 4:2:2),

H.264 High (8-bit 4:2:0),

H.264 Medium (8-bit 4:2:0),

H.264 Low (8-bit 4:2:0),

Blackmagic RAW Constant Bitrate 3:1,

Blackmagic RAW Constant Bitrate 5:1,

Blackmagic RAW Constant Bitrate 8:1,

Blackmagic RAW Constant Bitrate 12:1,

Blackmagic RAW Constant Quality Q0,

Blackmagic RAW Constant Quality Q1,

Blackmagic RAW Constant Quality Q3,

Blackmagic RAW Constant Quality Q5

Control

External Control Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.

Colour Corrector

Colour Corrector DaVinci YRGB.

Talkback and Tally

Talkback SDI Channels 15/16 and iPhone headset.

Live Tally Indicator Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Storage Features

Storage Type 2 x CFast 2.0

2 x SD UHS‑II cards

1 x high speed USB‑C expansion port for external media.

2.5 inch SSD using optional URSA Mini Recorder

Storage Rates Storage rates based on 30 frames per second.

6144 x 3456 (6K)

Blackmagic RAW 3:1 - 323 MB/s

Blackmagic RAW 5:1 - 194 MB/s

Blackmagic RAW 8:1 - 121 MB/s

Blackmagic RAW 12:1 - 81 MB/s

Blackmagic RAW Q0 - 242 to 483 MB/s

Blackmagic RAW Q1 - 162 to 387 MB/s

Blackmagic RAW Q3 - 108 to 277 MB/s

Blackmagic RAW Q5 - 65 to 162 MB/s

6144 x 2560 (6K 2.4:1)

Blackmagic RAW 3:1 - 240 MB/s

Blackmagic RAW 5:1 - 144 MB/s

Blackmagic RAW 8:1 - 90 MB/s

Blackmagic RAW 12:1 - 60 MB/s

Blackmagic RAW Q0 - 180 to 359 MB/s

Blackmagic RAW Q1 - 120 to 287 MB/s

Blackmagic RAW Q3 - 80 to 205 MB/s

Blackmagic RAW Q5 - 49 to 120 MB/s

5376 x 3024 (5.3K 16:9)

Blackmagic RAW 3:1 - 248 MB/s

Blackmagic RAW 5:1 - 149 MB/s

Blackmagic RAW 8:1 - 94 MB/s

Blackmagic RAW 12:1 - 63 MB/s

Blackmagic RAW Q0 - 186 to 371 MB/s

Blackmagic RAW Q1 - 125 to 297 MB/s

Blackmagic RAW Q3 - 84 to 213 MB/s

Blackmagic RAW Q5 - 51 to 125 MB/s

3728 x 3104 (3.7K 6:5 anamorphic)

Blackmagic RAW 3:1 - 177 MB/s

Blackmagic RAW 5:1 - 106 MB/s

Blackmagic RAW 8:1 - 67 MB/s

Blackmagic RAW 12:1 - 45 MB/s

Blackmagic RAW Q0 - 133 to 265 MB/s

Blackmagic RAW Q1 - 89 to 212 MB/s

Blackmagic RAW Q3 - 60 to 152 MB/s

Blackmagic RAW Q5 - 36 to 89 MB/s

3840 x 2160 (Ultra HD)

Apple ProRes 422 HQ - 110 MB/s

Apple ProRes 422 - 73.6 MB/s

H.265 SDI - 12.3 MB/s

H.265 High - 10.8 MB/s

H.265 Medium - 7.8 MB/s

H.265 Low - 3.2 MB/s

Blackmagic RAW 3:1 - 127 MB/s

Blackmagic RAW 5:1 - 77 MB/s

Blackmagic RAW 8:1 - 48 MB/s

Blackmagic RAW 12:1 - 32 MB/s

Blackmagic RAW Q0 - 96 to 190 MB/s

Blackmagic RAW Q1 - 64 to 153 MB/s

Blackmagic RAW Q3 - 43 to 109 MB/s

Blackmagic RAW Q5 - 26 to 64 MB/s

1920 x 1080

Apple ProRes 422 HQ - 27.5 MB/s

Apple ProRes 422 - 18.4 MB/s

H.264 SDI - 7.0 MB/s

H.264 High - 5.6 MB/s

H.264 Medium - 3.2 MB/s

H.264 Low - 1.8 MB/s

Blackmagic RAW 3:1 - 19 MB/s

Blackmagic RAW 5:1 - 12 MB/s

Blackmagic RAW 8:1 - 7.8 MB/s

Blackmagic RAW 12:1 - 5.2 MB/s

Blackmagic RAW Q0 - 23 to 47 MB/s

Blackmagic RAW Q1 - 16 to 37 MB/s

Blackmagic RAW Q3 - 10 to 27 MB/s

Blackmagic RAW Q5 - 6 to 16 MB/s

Constant Quality storage rates quoted are indicative only.

Actual storage rates are entirely dependent on image subject matter.

Recording Formats Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.

H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.

H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.

Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.

Software

Software Included Blackmagic OS

DaVinci Resolve Studio for Mac and Windows including activation key

Blackmagic Camera Setup

Blackmagic RAW Player

Blackmagic RAW QuickLook Plugin

Blackmagic RAW SDK

Blackmagic RAW Speed Test

Operating Systems

Mac Mac 10.15 Catalina, Mac 11.1 Big Sur or later.

Windows Windows 10, 64-bit.

Power Requirements

Power Supply 1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.

External Power Input 1 x 4-pin XLR port for external mains power supply or battery use.

1 x 12-pin Molex connector under rear battery plate.

Power Output +12V 4-pin XLR regulated output on side of camera

+12V D-Tap regulated output on VLock battery plate

Power Rear camera mount compatible with industry standard V-mount or gold mount battery plates.

Accessories

Optional Accessories Blackmagic URSA Viewfinder

Blackmagic URSA Studio Viewfinder

Blackmagic Camera Fiber Converter

Blackmagic Studio Fiber Converter

Blackmagic URSA Mini Pro PL mount

Blackmagic URSA Mini Pro F mount

Blackmagic URSA Mini Mic Mount

Blackmagic URSA Mini Recorder

Blackmagic URSA Gold Battery Plate

Physical Specifications

Dimensions 149.8 x 278 x 252.2 mm

Environmental Specifications

Operating Temperature 0° to 40°C (32° to 104°F)

Storage Temperature -20° to 45°C (-4° to 113°F)

Warranty

Warranty 12 Month Limited Manufacturer's Warranty.

What's in The Box

WHAT'S IN THE BOX

1x Blackmagic URSA Broadcast G2

4K B4 lens mount installed

B4 turret dust cap

EF Mount with dust cap

VLock Battery Plate installed

URSA 12V 100W power supply

URSA Mini Shoulder Pad

URSA Mini top handle & rubber stopper

Viewfinder mounting plate

2 x 1/4 inch baseplate screws

2 x long 1/4 inch top handle screws

2 x short 1/4 inch top handle screws

8 x EF Mount screws

4 x VLock plate spare screws

Welcome wallet with QR code for camera software download

DaVinci Resolve Studio wallet

DaVinci Resolve Studio activation key

FIBRE CONVERTER

Blackmagic Camera Fiber Converter

Mounting Bracket and screws for attaching to URSA Mini and URSA Broadcast cameras

3x Short 12G SDI cables for SDI In and Out connecting to URSA Mini and URSA Broadcast

SD card with software and manual

STUDIO VIEWFINDER

Blackmagic URSA Studio Viewfinder

Product Video

Blackmagic Design URSA Broadcast | Nottingham Trent Universityâ€™s 4K Newsroom Upgrade

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