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Atomos Sumo 19" Production Monitor-Recorder and Switcher - ATOMSUMO19

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Atomos
SKU: AO-ATOMSUMO19

Atomos Sumo 19" Production Monitor-Recorder and Switcher - ATOMSUMO19

£2,394.00 (inc VAT) £1,995.00 (exc VAT)

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£2,394.00 (inc VAT) £1,995.00 (exc VAT)

Atomos Sumo 19" Production Monitor-Recorder and Switcher - ATOMSUMO19 

The most advanced HDR production Monitor/Recorder/Switcher ever, really see what's going on in your image!

 

FEATURES

  • 1920 x 1200 Touchscreen Display
  • 10-Bit FRC Monitor Processing
  • 4K HDMI and 12G-SDI Inputs/Outputs
  • 1200 cd/m² Brightness
  • HDR Mode with 10-Stop Dynamic Range
  • High Bright Mode for Rec. 709 Viewing
  • 4K up to 60p / 1080p up to 240 fps
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • 12-Bit Raw Recording from Select Cameras
  • Records to 2.5" Master Caddy Media

 

19” Sumo Monitor-Recorder delivers 4Kp60 HDR to the Set and the StudioThe first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus1080p60 live switching and recording

The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.


SOFTWARE UPDATES
Download the AtomOS 9 update for Shogun Inferno and Sumo 19 on April 9th 2018 at
www.atomos.com/firmware


EDUCATIONAL PRICING 

Educational pricing is available to educational institutions and faculties, teachers and students, and registered charities. applicable to Field Recorder and Converter products only (part code is appended with ED). A copy of the customer PO - including sale price - is required to approve purchases subject to Educational pricing levels.  For students a copy of their valid student ID and verification of their enrolement in a media related course is required. For teachers and lecturers proof of their affiliation with an appropriate institution/organisation is required. For any clarification or queries please contact 3D Broadcast. **Please note due to the paper work required these units normally take longer to ship to customers**.


Atomos Sumo19M takes to the skies with Phil Arntz and Helicopter Film Services

Atomos Sumo and Shogun Studio create cost-effective workflow for the European Youth Olympic Festival

AtomosOS 8.4 for Sumo19 &19M with new dynamic backlight control

Key Features

Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external
microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

High Bright 1200nit 19” calibrated 1920x1080 monitor

The extremely bright 1200nit display means you can accurately monitor, even when outside in daylight. Additionally, for the ultimate isolated viewing performance an optional hood is available. Like all high-end monitor’s, Sumo also has calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

Quad SDI & HDMI 2.0 in/out

Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 & 3G QuadLink/6G/12G SDI in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.
 
Rugged construction and mounting options

The Aluminium alloy chassis with built-in armor houses ten mounting points around the bezel/top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. The optional mounting plates connect 2 x V-Lock / Anton Bauer batteries which in tandem with our patent pending continuous power system allows batteries to be hot swapped to ensure you’re never without power in the field. The Sumo delivers all of this connectivity while still maintaining a total weight of 6.2kg (13.7lb).
 
Adding HDR and 1200nit brightness to a 19” monitor is an amazing feat itself, but the addition of recording, switching and playback is a true revolution, completely redefining how production monitors will be used on set and in studio. It gives clients and crew on set instant access to review recorded content in HDR quality and doubles as a grading and editing monitor for laptops in the field. The live switching and recording is another dimension again adding the flexibility to live switch between four 1080/60p channels, record 4 x ISO channels and mix a live record complete with cueing, cross fade and hard cuts.

Go HDR. In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from
popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness
range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing orn grading in the studio.
 
Go HDR. In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from
popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness
range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.
 
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60

Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to
12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo can preserve pristine quality direct from the sensor with data rates of up to 3.2 Gbps. Record direct to high capacity and widely available 2.5" SSD's that provide an affordable solution for long recording times.

Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback

Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch
between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.
 
 
SPECIFICATIONS

Weight
Without batteries, media & stand 5.45kg / 12.0lb
With stand 6.0kg / 13.2lb
Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
Construction Aluminium alloy chassis with built in armor protection
Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
VESA mount rear
Power
Operating power 75W
Compatible batteries V-Lock / Anton Bauer via XLR terminal 
(optional mounting plates available) 
95Wh or larger recommended.
Input voltage (battery) 14.4V nominal
Battery time Depends on Watt Hours specification of battery used
DC In 1 x DC in (12 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system. 
Change batteries without losing power 
Loop batteries continuously
Touchscreen
Size 19”
Resolution 1920 x 1200
PPI 120
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1200nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Video Signal Conversion
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)
Raw to:
ProRes RAW 

ProRes 

CinemaDNG 
(CDNG up to 30p only)

Avid DNxHD
Sony^^
FS700, FS-5, FS-7, FS-7MkII

4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera

Canon 
C300MKII/C500 CDNG

4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; not supported in camera
1080; not supported in camera

Panasonic 
VaricamLT, EVA1

5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Headphone Out 3.5mm
Built-in Speakers Yes
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave
Playback
Playlist / Genlock Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / 
Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x 
screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply
Optional extras Sunhood, VESA battery adapter plate, Atomos HDMI 
cable, X-Rite i1DisplayPro calibration
Warranty 1 year. Extended to 3 years on product registration

All specifications correct when published, subject to E&OE.

24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

* Available in future firmware updates

*** No HDMI spec for 2K DCI

^ From supported HDMI sources such as gaming consoles and graphics cards.

^^ Optional unit (XDCA-FS7) needed for Raw output.


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