Atomos Shogun Studio 2 Dual Channel 4Kp60 3000NIT Deck - AO-ATOMSHSTU2
3U Dual Channel 4K / Multi HD ISO Monitor Recorder
Atomos Shogun Studio 2 (Dual Channel 4Kp60 3000NIT Deck) - AO-ATOMSHSTU2
FEATURES
- 3U Dual Channel 4K / Multi HD ISO Monitor Recorder
- Records either two channels of 4Kp60 or up to eight HDp60 sources in industry-standard Apple ProRes, ProRes RAW and Avid DNx codecs
- Pre Roll recording with an 8-second cache in HD, or 2-3 seconds in 4K
- Bi-directional SDI & HDMI signal converters
- The screens have advanced dynamic zoned backlighting for deeper blacks and brighter whites while retaining every detail in the highlights
- Metadata tagging, Cut Edits & EDL XML
HDR DUAL MONITOR AND 8-CHANNEL HDP60 / 2-CHANNEL 4KP60 RACKMOUNT RECORDER
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post-production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness
RECORD MULTIPLE FORMATS
The Shogun Studio 2 records either two channels of 4Kp60 or up to eight HDp60 sources in industry-standard Apple ProRes, ProRes RAW and Avid DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artefacts. Replace them with clean images captured directly from the sensors of your camera channels using modern Intra-frame codecs.
Both ProRes and DNx are robust, easy to edit, colour accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.
PLAYBACK AND EDIT
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and playout up to 4Kp60 video or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.
Groups of clips can be played in either a run down or reverse order without the need for an additional playout server. Mark in and out points to create sub-clips in metadata that can be brought into your NLE for rapid editing. Loop the playlist, or for single files, you can mark in and out points for repeated playback.
ADVANCED RECORD MODES
The Shogun Studio 2 offers Pre Roll recording with an 8-second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi-Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two videos switched.
MASTER YOUR RACK
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.
Bi-directional SDI & HDMI signal convertors easily allow for connection of HDMI equipment like mirrorless cameras for routing to a mixer or LCD screens in the gallery. Built into the I/O are 4K-to-HD signal down convert on both SDI and HDMI.
CLASS-LEADING SCREEN TECHNOLOGY
The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.
Weight | 5.0kg / 11lb |
Rack height | 3Ru |
Rack mounting | Removable rack ears |
Dimensions (W x H x D mm) | 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears) |
490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears) | |
Construction | Steel construction for durability |
Cooling | Actively controlled fan with heat sinks |
Operating power (including SSD) | 20 - 86W |
Compatible batteries | No |
Input voltage (battery) | - |
DC Out | No |
Size | 7.2” |
Resolution | 1920 x 1200 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | Up to Wide color gamut (105% DCI-P3) |
Look up table (LUT) support | 3D LUT (.cube format) |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 4:3 |
Technology | Dynamic AtomHDR zoned backlight |
Backlight | Direct LED |
Zones | 360 direct backlight individual LEDs |
LEDs | Wide Color Calibrated D65 or D95 |
Bit depth | 10-bit (8+2 FRC) |
Color | DCI-P3 105% |
Brightness | 3000nit (+/- 10%) |
Brightness | 3000nit (+/- 10%) |
Control | On the fly real-time brightness analysis for LED control |
HDR Conversion | Log/RAW to HLG or PQ, Dolby Vision Loop out |
Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI |
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / | |
LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic | |
Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k | |
and HLG | |
Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 |
/ DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 | |
JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 | |
HDMI | HDMI 1 x HDMI (2.0)** |
SDI | Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
Signal (camera dependent) | Uncompressed true 10-bit or 8-bit 422 |
LTC (Record Mode Only) | LTC input signal and loop out |
Genlock (Playback Mode Only) | Genlock input signal and loop out |
HDMI | 1 x HDMI (2.0)** |
SDI (Play Out) | 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI |
output available in Playback mode | |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(playback file dependent) | |
HDMI to SDI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
SDI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(playback file dependent) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analogue in/out Dynamic range >90dB |
Max signal level +24dBu | |
3.5mm 2ch. | |
Raw to: | ProRes RAW, ProRes |
CinemaDNG (CDNG up to 30p only) | |
Avid DNxHD | |
Sony^^ | 4K DCI; 24/25/30/50/60p |
FS700, FS-5, FS-7, FS-7MkII | 4K UHD; not supported in camera |
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera | |
Canon | 4K DCI; 24/25/30p |
C300MKII/C500 CDNG | 4K UHD; 24/25/30p |
2K; not supported in camera 1080; not supported in camera | |
Panasonic VaricamLT, EVA1 | 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) |
4K DCI; 24/25/30/50/60p | |
4K UHD; 24/25/30/50/60p | |
2K; 24/25/30/50/60/100/120/200/240p 1080; | |
not supported in camera | |
Supported base resolution & FPS from cameras | 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p |
1080p: 23.98/24/25/29.9/30/50/59.94/60p | |
1080i: 50/59.94/60i | |
720p: 50/60p | |
PSF inputs converted to P but looped out as PSF | |
Supported FPS & resolution from gaming consoles and graphic cards | 4k UHD: 24/25/30/50/60p |
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
60i > 24p (3:2 pulldown) | |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in all RAW modes) |
HDMI | Auto HDMI Trigger |
Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard | |
RS422* | 9pin transport control on qualified controllers |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave / Calibration on front. Serial - Calibration on front |
Playlist / Genlock / LTC | Yes / Yes / No |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. |
Playback in slow motion >= 100fps. | |
DNxHR / DNxHD | All recorded files can playback. |
(recorded content) | Playback in slow motion >= 100fps. |
Pre-roll record | Yes (HD 8s, 4K 2s) |
ISO Record | Up to 8 streams in 60pHD in parallel |
Custom timelapse | Yes* |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, |
resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives | |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Supported applications | Final Cut Pro / Media Composer / Premiere Pro / After Effects |
/ EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness
Record multiple formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.
Both ProRes and DNx are robust, easy to edit, colour accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.
Playback and edit
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.
Groups of clips can be played in either a run down or reverse order without the need for an additional playout server. Mark in and out points to create sub clips in metadata that can be brought into your NLE for rapid editing. Loop the playlist, or for single files you can mark in and out points for repeated play back.
Advanced record modes
The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.
Master your rack
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.
Bi-directional SDI & HDMI signal convertors easily allow for connection of HDMI equipment like mirrorless cameras for routing to a mixer or LCD screens in the gallery. Built into the I/O are 4K-to-HD signal down convert on both SDI and HDMI.
Class leading screen technology
The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.
The ProRes RAW Advantage
Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.
In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colourfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.
WHAT'S IN THE BOX
1 x Atomos Shogun Studio II Rackmount 4K Dual Recorder & Monitor (3RU)
2 x Rack Ear with Screws
2x HDMI Cables
1x USB-C Dock
1 x Atomos Master Caddy II (5 Pack)
4 x Rubber Feet
2 x Large Rubber Foot
2 x IEC Power Cable
1 x Screen Cleaning Cloth
1x 1 Year Warranty (extended to 3 years on product registration)