Basket 0

Based at Pinewood Studios

Atomos Shogun Inferno - AO-ATOMSHGIN2

Zoom Out
Zoom In

Rollover image to zoom

Atomos
SKU: AO-ATOMSHGIN2

Atomos Shogun Inferno - AO-ATOMSHGIN2

£1,350.00 (inc VAT) £1,125.00 (exc VAT)

In stock Call for Lead Time on this Product

Seen it cheaper? more 

* Required Fields

£1,350.00 (inc VAT) £1,125.00 (exc VAT)

Atomos Shogun Inferno - AO-ATOMSHGIN2 

Atomos Shogun Inferno SDI/HDMI 7.1" AtomHDR 1500nit Field Monitor & 4Kp60/HD240p/RAW Recorder


FEATURES

  • 1920 x 1200 Touchscreen Display
  • 10-Bit FRC Monitor Processing
  • 4K HDMI and 12G-SDI Inputs/Outputs
  • 1500 cd/m² Brightness
  • HDR Mode with 10-Stop Dynamic Range
  • High Bright Mode for Rec. 709 Viewing
  • UHD 4K up to 60p / 1080p up to 240 fps
  • 10-Bit 4:2:2 ProRes and DNxHR Encoding
  • Records to 2.5" SSD/HDD Media
  • Dual Sony L-Series Battery Slots


The Shogun Inferno is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.

 

AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
 

EDUCATIONAL PRICING 

Educational pricing is available to educational institutions and faculties, teachers and students, and registered charities. applicable to Field Recorder and Converter products only (part code is appended with ED). A copy of the customer PO - including sale price - is required to approve purchases subject to Educational pricing levels.  For students a copy of their valid student ID and verification of their enrolement in a media related course is required. For teachers and lecturers proof of their affiliation with an appropriate institution/organisation is required. For any clarification or queries please contact 3D Broadcast. **Please note due to the paper work required these units normally take longer to ship to customers**.

Key Features

1500NIT 10-BIT
 
The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.
 
HDR ON THE BIG SCREEN WITH PQ OUT

The AtomHDR engine lets you monitor a post production HDR image in the field on a 7" calibrated screen. For collaboration on set or in post, connect Shogun Inferno to HDR compatible larger screens, select the desired color space (Rec709, DCI P3 or Rec2020) and see the magic of HDR on larger screen sizes. Use the PQ input to connect from your NLE and use the Inferno as a monitor to grade HDR in Post.
 
4K 60P & HD 240P RECORDING

Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors
 
SOFTWARE UPDATES
Download the AtomOS 9 update for Shogun Inferno and Sumo 19 on April 9th 2018 at
www.atomos.com/firmware
 
 

SIMPLE OS, SOPHISTICATED SHOTS

 
The Shogun Inferno is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.
 
CONTINUOUS POWER & SUPER FAST CHARGING

Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.
 
MONITOR & RECORD XLR AUDIO

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.
 
ADVANCED RECORDING CAPABILITY

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.
 
BATTLE-READY! FOR THE FIELD

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

 

 

SPECIFICATIONS

Weight
Without batteries & media 709g / 25.0oz
With batteries & media 1153g / 40.7oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
  Built-in armor protection
Power
Operating power 10 - 27W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) -
  5200mAh - up to 1.5hrs (monitor & record 4K 30p)
  7800mAh - up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system Change batteries without losing power Loop batteries continuously
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube le format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
PQ in/out
In = Post   Out = Monitor
Yes / Yes
Video input/loop out
HDMI 1 x HDMI (2.0)
SDI Quad link 4 x 3G SDI or up to 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video output (play out)
HDMI 1 x HDMI (2.0)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported loop out formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Video signal conversion
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & frame rates (record & playback)
Raw to CDNG (Record only)* Codecs Cinema DNG for supported cameras (Sony FS5/FS7/
FS700, Canon C300MKII, C500, Panasonic Varicam
RAW*)

Frame rates 4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Raw to ProRes / DNxHR Codecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
Video to ProRes / DNxHR Codecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p
Onboard processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Remote start/stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave
Playback
Playlist Yes
Genlock / LTC Yes / Yes
Playback
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion
(Adobe compatible)

Customers who viewed this also viewed