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Atomos Ninja V 5-inch 4K HDMI Recording Monitor - AO-ATOMNJAV01

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SKU: AO-ATOMNJAV01

Atomos Ninja V 5-inch 4K HDMI Recording Monitor - AO-ATOMNJAV01

£648.00 (inc VAT) £540.00 (exc VAT)

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£648.00 (inc VAT) £540.00 (exc VAT)

Atomos Ninja V 5-inch 4K HDMI Recording Monitor - Expected to ship in Q3 2018. Pre-orders are now being taken £50 inc vat

New 5" 1000NIT HDR HDMI Monitor-Recorder. Perfect for DSLRs, Mirrorless Cameras and HDMI Camcorders, 

Atomos Ninja V 5” 4Kp60 10bit HDR 1000nit portable monitor/recorder HDMI I/O

 

FEATURES

  • 1920 x 1200 Touchscreen Display
  • 10-Bit Exterior Viewable Monitor
  • 4K HDMI Input
  • 1000 cd/m² Brightness
  • AtomHDR Mode with 10-Stop Dynamic Range
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Records to Mini SSDs
  • Supports a Variety of Log Formats
  • Single Sony L-Series Battery Slot

 

NINJA V brings all of the award-winning features Atomos are renowned for in their 7" Flame and Inferno series monitor-recorders to an all-new compact and light-weight 5" form-factor. Equipped with a high-bright 1000NIT Full-HD resolution display Ninja V offers oustanding visibility in high-ambient light environments and also enables stunning HDR monitoring through the AtomHDR processing engine. Featuring HDMI 2.0 input and output and support for up to 4K 60p ProRes and DNx recording to Master Caddy II SSD media, Ninja V provides everything filmamkers and games developers expect from an Atomos device.

Atomos Ninja V - Newsshooter at NAB 2018 from Newsshooter on Vimeo.

ProRes RAW Explained – Plus Footage

Key Features

AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
  • Sony SLog2 / SLog3
  • anon CLog / CLog 2
  • ARRI Log C
  • Panasonic Vlog
  • JVC JLog
  • RED LogFilm
HDR Recording
  • Sony SLog / SLog2 / SLog3
  • Canon CLog / CLog2 / Clog3
  • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
  • Panasonic Vlog
  • JVC JLog1
  • RED LogFilm / Log3G10 / Log3G12
  • FujiFilm Flog, PQ10k, HLG
HDR Monitoring
  • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
  • Canon Cinema / DCI P3 / DCI P3+ / BT2020
  • Panasonic V Gamut
  • ARRI ALEXA Wide Gamut
  • Rec709
  • JVC LS300
  • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec709 on screen
  • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out
4K 60p Capabilities
Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
Audio I/O
Audio can be input and output via the multi-pin locking connector. Separately available breakout cables can provide XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on the side can be used for convenient audio monitoring.
5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
Anamorphic De-Squeeze
The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
Edit-Ready Recording
Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.
Expansion Modules
The Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.
SPECIFICATIONS
Weight
Without batteries & media 320g / 11.28oz
With batteries & media -
With stand 6.0kg / 13.2lb
Dimensions (W x H x D mm) 151 x 91.5 x 31mm
Construction Aluminium alloy chassis with ABS polycarbonate back plate
Mounting points 1/4-20 UNCscrew mount; 1x top, 1x bottom
Power
Operating power 10 - 19W
Compatible batteries NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 2 x 7.4V) 5200mAh - up to 2hrs (monitor & record 4K +60p)
  7800mAh - up to 3hrs (monitor & record 4K 60p)
DC In  
Continuous power
* Patent pending
Continuous power with external adaptor*
Touchscreen
Size 5”
Resolution 1920 x 1200
PPI 427
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
HDR Recording (Gamut) Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG
HDR Monitoring (Gamma) Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
HDR Monitoring (Gamut) Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out
Bit depth 10-bit (8+2 FRC)
Brightness 1000nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
SDI to SDI -
Video Signal Conversion
HDMI to SDI -
SDI to HDMI -
AtomXpansion Video Audio Power Extender In/Out
Video Up to 4Kp60
Audio 12 channels digital 24-bit 96KHz
Power 5V-16.6V
Supported Codecs & Frame Rates (Record & Playback)
Video to
ProRes / DNxHR


(DNx utilizes a .MOV wrapper)

Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K
1080p; 24/25/30/50/60/100^/120^
1080i; 50/60i, 720p; 50/60p
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI -
Audio Line in / Mic in / Headphone out 2ch 48kHz 24-bit
Headphone out 3.5mm
Built-in speakers Yes
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI -
Other LANC control - Slave
Playback
Playlist / Genlock / LTC Yes / - / -
CDNG (Recorded content) N/A
ProRes (Recorded content) All recorded files can playback. Playback in slow motion.
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion.
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included Ninja V unit, Master Caddy II x 1, 
12V-3A AC power supply
Optional extras Accessory Kit: 2 x battery, 
1 x charger, 1 x power supply, EVA case, 
USB dock, control cable, Dtap cable, 
Master Caddy x 4, Power supply, Sun hood 

Power Kit: 2 x battery,
1 x charger, 1 x power supply 
Other: Atomos HDMI cable, 
X-Rite i1DisplayPro calibration

All specifications correct when published, subject to E&OE.

24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

* Available in future firmware updates

*** No HDMI spec for 2K DCI

^ From supported HDMI sources such as gaming consoles and graphics cards.

^^ Optional unit (XDCA-FS7) needed for Raw output.

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