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Blackmagic Design  DaVinci Resolve Advanced Panel - Includes Resolve 12 Software, BMD-DV/RES/AADPNL

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BlackMagic Design
SKU: BMD-DV/RES/AADPNL

Blackmagic Design DaVinci Resolve Advanced Panel - Includes Resolve 12 Software, BMD-DV/RES/AADPNL

£24,690.00 (inc VAT) £20,575.00 (exc VAT)

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Blackmagic Design  DaVinci Resolve Advanced Panel - Includes Resolve 12 Software


When you working with demanding clients then it's time to upgrade to DaVinci Resolve with control surface. This is the full version of DaVinci Resolve that includes the full DaVinci Resolve control surface, plus a license of the DaVinci Resolve 12 Studio . you get the power of a full DaVinci Resolve system with single GPU. The amazing DaVinci Resolve control surface has been designed by colorists to work together in total harmony with the DaVinci Resolve software. Controls have been placed near your natural hand positions and lift, gamma and gain can all be adjusted at the same time. Each correction control has a separate button or knob so you can instinctively reach out and touch every part of your image

 

The ultimate colour correction solution with professional control surface. Now v11.1

Hollywood's most powerful colour corrector is now also the world's most amazing editor

DaVinci Resolve 11 combines the world's most advanced colour corrector with professional multi track editing, so now you can edit, colour correct, finish and deliver all from one system. Davinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline. Only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

The world's most advanced grading tools.

DaVinci colour correctors have been the standard in post production since 1984. There are thousands of colourists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colourists need and incredible multi GPU real time performance. That's why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system.


Key Features

Collaborate with over 70 new editing features

DaVinci Resolve 11 includes over 70 new editing features including an amazing new collaborative workflow that lets multiple people work together on the same timeline at the same time. Editing tools are context sensitive, that means DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don't have to waste time switching tools. You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 11 has the most advanced collaborative editing tools that help you work fast so you can focus on the visual flow of your edit.

Scalable power and real time performance.

DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. That's important when you are working on high pressure projects with a room full of clients. Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients.

Work faster with absolute control

When you have a client looking over your shoulder you need to work fast. The DaVinci Resolve control surface lets you adjust multiple parameters simultaneously, making grading faster. The control surface features dedicated buttons, knobs and perfectly weighted trackballs that give you the subtle control you need for creating the most amazing looks. You get 32 soft knobs with automatic LCD labels so you'll never have to page through multiple menus to find common adjustments. Save and recall grades to memory, load gallery stills and more at the push of a button while you keep grading at full speed.

Ensure complex jobs are well organized.

Saving and managing media is a critical part of every project. DaVinci Resolve's new clone tool will back up your valuable camera files on location so you can check your footage before striking the set. The clone tool copies your camera files to multiple destinations with checksum validation for safekeeping. DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, colour grading or visual effects. DaVinci Resolve helps you manage media on local drives or over your network and because it works with virtually every camera and video format you don't need to convert files to begin editing or grading.

Finish and deliver to virtually any format.

Whether you're creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files.

Unique YRGB 32 bit float processing.

DaVinci's high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry. All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB colour space for grading. This allows you to adjust the luminance gain of your video without rebalancing the colour of your whites, mids, or blacks. That means you won't have to chase the correction you're aiming for. 32 bit processing combined with YRGB colour science gives you a dramatically wider colour correction range, so you can generate looks that other systems simply cannot match.

The world's most compatible post production solution.

Move projects between your favorite NLE and VFX software. DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro and more. That means you can edit your project on any system, then using XML, AAF or EDL's, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also drop VFX shots from After Effects and Nuke directly into the timeline for final grading and finishing. DaVinci Resolve is the world's most compatible post production solution and can be used with dozens of other software tools so you can focus on getting your job done.

 

FEATURES

  • 32 soft knobs with automatic LCD labels so you’ll never have to page through multiple menus to find common adjustments
  • Collaborative workflow that lets multiple people work together on the same timeline at the same time
  • Adjust multiple parameters simultaneously, making grading faster
  • Customizable keyboard shortcuts
  • Supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers
  • DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, color grading or visual effects
  • Manage media on local drives or over your network and because it works with virtually every camera and video format you don’t need to convert files to begin editing or grading
 

FIRMWARE UPGRADES

What's new in DaVinci Resolve 11.1.2

  • Improved Media and Edit page playback performance
  • Improved tracker stability
  • Improved render stability for long renders
  • Improved trace intensity for scopes
  • Added Rocket-X support for Monochrome clips
  • General performance and stability improvements

What's new in DaVinci Resolve 11.1

Media Page

  • Drag and drop of folder from Media Storage to Media Pool bin area preserves hierarchy
  • Additional Media Pool context menu: Reveal in Media Library
  • Subframe audio slipping for sync audio with shift left/right arrow shortcut
  • Performance improvements with Avid ISIS shared storage for better media and project collaboration

Edit Page

  • Swap Edit via Cmd+Shift drag and Partial Swap via Cmd+Option drag
  • Trim support for Quicktime and MXF clips
  • Double click on a timeline clip to edit extents by changing in/out points in Source Viewer
  • Hold the shift key when adjusting Mark In/Out to slip shot in Source Viewer
  • Alt + Double click on a timeline clip to perform a match frame operation
  • Gap Trimming
  • Improved support for FCP X exported compound clips including multi-cam and sync clips
  • Native mixed frame rate support for compound clips
  • Bezier support for imported FCP X speed changes
  • Support for FCP X Import retime selection e.g. frame blending, optical flow
  • Improved AAF keyframe bezier and cubic interpolation
  • Full screen timeline option
  • Independent track heights
  • Selectable Safe-area outlines
  • Fade In/Out opacity sliders
  • Decompose compound clip in place
  • Renaming of compound clips
  • Improved asymmetric editing in trim mode
  • Allow transitions to be added to multiple selected clips via Cmd+T
  • Find Source Viewer clip in Media Pool via Option+F
  • ColourTrace support for copying Group grades
  • ColourTrace CDL improvements to specify DRX filenames for loading full Resolve grades
  • Alt+Click to expand/collapse Edit Inspector and OFX Parameter Panels

Colour Page

  • Object tracking and stabilization for compound clips
  • Second layer input for OFX plugins
  • Ability to pick colours in the viewer for OFX plugins
  • Alt+Click to expand/collapse OFX Parameter Panels
  • Group menu options to load/delete/rename groups
  • DSC Labs ChromaDuMonde 24+4 chart support for Colour Match

General Enhancements

  • Support for visually lossless compressed DNG raw clips
  • Support for Panasonic Varicam vRaw and AVC-I
  • Colour decode improvements for Phantom CINE RAW files
  • Phantom Cine Log gamma selection in camera raw settings
  • Update to Red SDK 5.1 and D.E.B. control
  • VFX I/O LUTs for Gamma 2.2 and Gamma 2.4
  • OpenCL support for Linux to support AMD GPUs
  • NVIDIA CUDA performance improvements
  • Added support for Dolby Vision image processing
  • Swap primary monitor option
  • Added ability to render locked shared projects
  • Mapping updates for Tangent Elements Panel
  • Support for OxygenTec Panel
  • General performance improvements

Click here for the latest Firmware and Software


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